Critical Essays on Dramatic PoetryL. Davis and C. Reymers, 1761 - 274 |
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Strona xi
... greek tragedy . In a letter to fignor Maffei , 157 On Shakespear . In an advertisement pre- fixed to the Death of Cæfar . On ancient and modern tragedy . dreffed to cardinal Quirini . 181 Ad- 185 On the contraft of merry and affecting ...
... greek tragedy . In a letter to fignor Maffei , 157 On Shakespear . In an advertisement pre- fixed to the Death of Cæfar . On ancient and modern tragedy . dreffed to cardinal Quirini . 181 Ad- 185 On the contraft of merry and affecting ...
Strona xii
Voltaire. Of the excellencies of the greek , and de- fects of the french drama . to the dutchefs of Maine . , Addreffed 242 On chinese tragedy . In a dedication to the duke of Richelieu . 264 CRI- CRITICAL ESSAYS . ESSAY on TRAGEDY ...
Voltaire. Of the excellencies of the greek , and de- fects of the french drama . to the dutchefs of Maine . , Addreffed 242 On chinese tragedy . In a dedication to the duke of Richelieu . 264 CRI- CRITICAL ESSAYS . ESSAY on TRAGEDY ...
Strona 10
... Greeks and Romans used to do , in order to preserve , at the fame time , unity of place and probability . How could we dare , for example , to in- troduce on our theatre , the ghost of Pom- pey , or Brutus's genius , in the midst of ...
... Greeks and Romans used to do , in order to preserve , at the fame time , unity of place and probability . How could we dare , for example , to in- troduce on our theatre , the ghost of Pom- pey , or Brutus's genius , in the midst of ...
Strona 17
... Greeks have hazarded spectacles which would not be lefs difagreeable to us . Hypolitus , shattered by his fall , comes on the stage to count his wounds and to utter doleful cries . Philoctetus falls into men . his melancholy fits , and ...
... Greeks have hazarded spectacles which would not be lefs difagreeable to us . Hypolitus , shattered by his fall , comes on the stage to count his wounds and to utter doleful cries . Philoctetus falls into men . his melancholy fits , and ...
Strona 18
... Greek tragedies , in a word , are full of this kind of terror pufhed to the greatest excess . I am convinced , the tragic writers of Greece , in other refpects , fuperior to the English , have miftook horror for terror , and what is ...
... Greek tragedies , in a word , are full of this kind of terror pufhed to the greatest excess . I am convinced , the tragic writers of Greece , in other refpects , fuperior to the English , have miftook horror for terror , and what is ...
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Kluczowe wyrazy i wyrażenia
Æneid affert againſt alfo almoſt alſo Alzira ancient anſwer Athens beauties becauſe beſt Brutus Cæfar cardinal Richelieu caufe chineſe Cinna comedy Corneille cuſtom defire Edipus engliſh Euripides expreffed faid fame fatisfied faults fcene feems fentiments feveral fhall fhew fhould fimple fince firft firſt fome fometimes foon fpectacle France french ftage ftill fubject fuccefs fuch fuperior gallantry genius greateſt Greeks himſelf hiſtory honour imitated interefting itſelf laft laſt lefs manner Mariamne Merope moft monfieur de Voltaire moſt Motte mufic muft muſt myſelf nation nature neceffary notwithſtanding paffages paffion Paris perfonages perfons Phædra philofopher piece play pleaſed pleaſure poet poetry poffefs prefent profe publiſhed Racine raiſe reafon refpects reprefent repreſentation ridicule ſay ſcene ſeems Semiramis Shakeſpear ſhall ſome Sophocles ſpeak ſtage Tartuffe taſte theatre thefe themſelves theſe thofe thoſe three unities tragedy tragic tranflated uſe verfe verſes Virgil Voltaire whofe whoſe write wrote Zara
Popularne fragmenty
Strona 15 - Had you rather Caesar were living and die all slaves, than that Caesar were dead, to live all free men? As Caesar loved me, I weep for him; as he was fortunate, I rejoice at it; as he was valiant, I honour him : but, as he was ambitious, I slew him. There is tears for his love; joy for his fortune; honour for his valour; and death for his ambition.
Strona 16 - Here comes his body, mourned by Mark Antony: who, though he had no hand in his death, shall receive the benefit of his dying, a place in the commonwealth ; As which of you shall not ? With this I depart ; That, as I slew my best lover for the good of Rome, I have the same dagger for myself, when it shall please my country to need my death.
Strona 15 - Romans, countrymen, and lovers ! hear me for my cause, and be silent, that you may hear : believe me for mine honour, and have respect to mine honour, that you may believe : censure me in your wisdom, and awake your senses, that you may the better judge. If there be any in this assembly, any dear friend of Caesar's, to him I say that Brutus' love to Caesar was no less than his.
Strona 71 - Moi-même, pour tout fruit de mes soins superflus, Maintenant je me cherche, et ne me trouve plus': Mon arc, mes javelots, mon char, tout m'importune...
Strona 71 - Présente, je vous fuis : -absente, je vous trouve; Dans le fond des forêts votre image me suit; La lumière du jour, les ombres de la nuit, Tout retrace à mes yeux les charmes que j'évite ; Tout vous livre à l'envi le rebelle Hippolyte.
Strona 14 - I am inclined to think, this opinion proceeded originally from the zeal of the partizans of our author and Ben Jonson ; as they endeavoured to exalt the one at the expence of the other.
Strona 16 - CESAR'S Body. Here comes his body, mourned by Mark Antony : who, though he had no hand in his death, shall receive the benefit of his dying...
Strona 105 - Come to me, come, my soldier, to my arms! You've been too long away from my embraces; But, when I have you fast, and all my own, With broken murmurs, and with amorous sighs, I'll say, you were unkind, and punish you, And mark you red with many an eager kiss.
Strona 71 - Asservi maintenant sous la commune loi, Par quel trouble me vois-je emporté loin de moi! Un moment a vaincu mon audace imprudente : Cette âme si superbe est enfin dépendante.
Strona 11 - How beautiful is death, when earn'd by virtue ! Who would not be that youth ? what pity is it That we can die but once to serve our country...