"damned spot" on our own souls, or to approach, without something like presumptuous freedom with God, those altars of religion before which we have stood in conflict with man. Now, if there be any truth in our observations, it is not likely that those authors will meet with more than a temporary success, (if, indeed, they meet even with that,) who endeavour to write, as it were, in opposition to the UNKNOWN, and to paint anew the character of the old Covenanters. For it will be found that their portraits are not only less impressive than the others, but also not so true to history, and not so accordant with our knowledge of human nature at large. We lay down Ringan Gilhaize, with all its manifest and manifold merits, and take up the magical volumes again, convinced more than ever, that such were the living men, and that such only could they be; allowing, at the same time, that the Unknown has his prejudices and his peculiarities, as well as his neighbours, and is no more exempt than ordinary people, from sins that easily beset him, although their indulgence, it must be allowed, has worked no deadly effect on his noble and potent spirit. Perhaps Mr Tennant (in our opinion) is somewhat in the same predicament with Mr Galt. But as this is the first time we have had the plea sure of introducing any work of his to our readers, we shall not occupy with discussion or disquisition the space which will be much better filled with his poetry. The subject of the drama is a conspiracy-and we are partial to conspiracies. They cannot but be interesting and every human being, however odious, becomes an object almost of compassion, when we know that he is about to be murdered. Yet, in spite of a conspiracy, it must be confessed, that this drama moves rather heavily; and it is not possible to pay a gentleman a worse compliment, than to fall asleep while he is informing you that he has laid a plan to murder a Cardinal, or even a Bishop. The first and second acts, which rather flag, and, although classically, are not spiritedly written, are occupied in various colloquies between the Cardinal and his creatures, and also between different Scottish noblemen and gentlemen, the object of which is to acquaint us with the enormities of Beaton, and the miserable evils they are bringing upon Scotland. We quote the whole of the last scene of the second act, which exhibits Mr Tennant's powers in a highly favourable light, and is certainly, although a little languid, very beautiful. Beatrice is the daughter of a sea-captain confined in a dungeon by the Cardinal, and has had her virtue basely assaulted by him on visiting the palace to pray her father's release. SCENE IV.-A Garden near the Cathedral. Enter BEATRICE STRANG. I've seen my mother to her couch to rest, And I have said my evening prayers with her; And now I seek this flowery solitude, scenes. How beautiful, above the sea, the moon Has lighted up her sky-adorning torch, Dimming th' abashed stars, and paving all The bay's expansion, as with twinkling sheets Of silver fluent on the flutt'ring wave! Nearer, the hillocks, valleys, rocks, and shores, Flame out in night's best glory; and the On her fair early flowers, which she expands Full to the moon, as bragging how her brother Has busk'd her out, though she regrets not now His absence in his sister's sweeter beams. Welcome, sweet light, and with thee wel come too Thoughts of divinely-soothing melancholy, Is well away and buried in the sea. And more accordant to their museful mood; He for the golden interview assign'd. SEATON, (appearing through the bushes.) "Tis she herself-I see the moonlight lie Asleep upon her neck and on her bosom, As fain to find such precious resting-place; Diana is not jealous of her beauty, Only because she's like herself so chaste; As if right merry to behold in her Heaven's richest happiness be with thee, sweet, And every joy which thy perfection merits! Beat. O, thou art come, my love, in To gladden me amid the household griefs That Heaven hath sent to purify our hearts: How strange to meet here in a place so strange, In such an hour, and plight so sorrowful! How diff'rent, when we took our evening walks By the moon's light upon the lofty shore, Whence we o'erlook'd the rolling ocean from The sea-marge to the fiery-beacon'd May! Then how light-hearted in our happiness! How little boded we our present cares! Yet there are yet, I hope, good things for us; He who commands this stillness, and o'erspreads Heaven's changeful face with such a robe of light, Will yet o'erspread our count'nances with joy. Seat. Oh, fair! thou canst not be where joy is not! Methinks thy person is enshrined within An unseen heav'nly tabernacle of joy; And Love and Honour are the cherubim That hover o'er thee with their golden wings. Where goodness is, there must be happi ness; Sorrow may fly across it as a bird; Within God's altar at Jerusalem. Beat. Yea, Peace must be where Pa tience is; and I Can keep my spirit patient and submiss, When God, who gives the grief, requires submission, As sign of acquiescence in his will; That I can do, and Heaven requires no more. But joy's rich cup, though tender'd to my lips, I cannot, may not taste, but pass it by ; Deferring till a father's doom be clear'd From doubt and danger, which surround it now, The darker from to-day's occurrences. Seat. What has to-day begot of darker doubt, Beat. Oh, Seaton! I to-day have dared Above the venture of a timid maid: Him have I pray'd, and on my knees besought, Reck'ning too strongly on the fervency Seat. Oh, hideous heart of cruelty and Oh, fiend! too worthy of thy hate and mine! name You share, with distant consanguinity, long Against the pressure of necessity. 8 Beat. Yet, Seaton, if this man upon himself Compels destruction from the hands of foes, I cannot bear that thou shouldst be involved In being party to the fate of him, Whom thou had'st reason, for thy damsel's sake, To call and deem a cruel enemy. Seat. My fair one! I revere thee for that word: Though not the less for thee, and for myself, And for my country, I might well be clear'd, In aiding that the murderer may perish, Who seeks to rid the world of honest men.You see how he has summon'd to this city His crowd of minion priests, that swarming come To cause to-morrow perish at the stake And flocking thither of the laity; men; Their scoffs at girdled friars and mitres passing; Their mutterings and whispers where they stand In lonely lanes, and corners of the streets, Group'd into gloomy knots, discussing something Mysterious, and of terrible import. sound, As of th' explosion of confined wrath; Shouts, as of furious quarrellers; and cries, As of fierce men infuriated with wine, Assaulting, or assaulted in the streets. Such signs, I doubt, betoken some black storm About to agitate this fated town. Into the orbit of celestial peace, Look down unharm'd, exulting from their height, On the black storm of passion as it breaks, Wrecking the lives of miserable men! Seat. Thy words, my love, are all of heavenly charm, And too divine for earthly-minded men, Who borrow from the very dregs they're made of Inevitable drossiness of soul. But see, the moon seems now high-pitch'd above Her serious starry daughters of the sky, And yet I cannot err while talking with thee; And yet Good night!-that word must come at last, Though long it loiters on a lover's lips. Seat. Good night, my love! Good angels guard you well! Beat. Adieu, my boy! sweet sleep bedew your pillow! And Heaven awake us to sweet peace tomorrow! [Exeunt severally. The conspirators are long baffled in their designs against Beaton's life; and Wishart, whom they had hoped to save, is martyred. The description of the martyrdom is good. Carmichael. No sooner had th' appointed moment come, When from the Castle's gate the gentle saint Appear'd, all radiant with sweet smiles of joy, Amid a threat'ning multitude of spears: His hands were shackled, yet his lips were free The cannoniers a-tiptoe, with their reeds Just hov'ring for th' explosion, and the mouths Metallic, that were glutted rich with death, Frowning upon them, ready at one volley To sweep th' encumber'd street from end to end. Meantime the heavens had pall'd themselves all round In mourning of funereal thunder-clouds ; And, just as that first faggot was lit up, Wept such a show'r of heavy drops, as soon Quench'd into blackness the obnoxious flame. Thrice was it fired by man, and thrice again Heaven's rain descended to extinguish it; Till, at the last, man's stubborn hate prevail'd: At which the thunder mutter'd down to earth His indignation, and the eastern sky Whereby all hearts were terrified, lest God Carm. I saw the villain-he was thrust upon Mine and the people's eyes obtrusively; Nor. Abominable outrage! tell it not Again, Carmichael, in fair Scottish ground; Lest stones and turf should rise up in our faces, And brand us publicly with cowardice; Nay, tell it everywhere-sound it about From tops of hills, from parish-churches' spires, At borough-crosses, ferries, and fire-sides, Ay, there's a Sheriff, 'twill be said, but he He swaggers in his words, a well-tongued braggart, But Card'nal's big hat is the bug for him; It scares him as the scare-crow does the bird. O shame, shame, shame! I will not brook it longer; I will be at him greedily to-morrow; I will not sleep till I have purged our shire, And made it cleaner by the scoundrel's death! What say you to it? Shall I go alone, And through some port-hole worm into his castle ? Or will ye be my pioneers, to break Way through his doors, with lever and with axe? Were I but in, I'd hang him on his bedpost; He is too vile for stabbing now, I think! Let us hasten on to the catastrophe, which is stern and murderous. Cardinal. If ye but spare my life, I'll let you in. Melvil. Haply we may, my Lord, if ye're but kind, And entertain us strangers hospitably, Admitting us at once into your heart. Card. Swear by God's wounds, that you will spare my life, And I'll unbolt. 426 This paper, this poor-written, crooked scribble [Takes out and shews him the list of names marked in his hand-writing for death.] Kenn'st it? The crank o' the writing, Seest thou my father's name, my uncle Mine own, all damnably consign'd to death, I'd rate him to the teeth with his misdeeds, I would unsheath mine honest poniard at him, And stab him-thus. [Stabs him. That so the priest of God might yet have In part 'twas my neglect, which to atone Carm. Hold, hold, my friends, though Too hotly Passion, for such serious act, To be all blameless as fair Justice is.- Moves me to this; it is because thou art That I have urged my long-demurring soul weeping long, Happily gone, evanish'd with thy life! shall read Their Bibles on the house-tops all aloud cure From violation ere the nuptial night; Strang. How he died Like to a coward! E'en let him go Let him e'en pass away into his place, Kirkcaldy, (entering.) Surely he's caught; Kirk. 'Tis but a bloody sight, and yet, I give you gratulation for myself Strang. Yea, except the Guise, And her oppressive Frenchmen, who will not Be merry at the news? Carm. For many a generation, that our sons, And passing, say, Yet see upon these stones [Curtain falls. There are no fewer than thirty characters in this drama. Of course, they are almost all sketches; and we do not, in general, see in them much power, freedom, or originality. Norman Lesslie is the best; and Beatrice Strang, as will have been seen, is an interesting maiden. The chief merit of the drama lies in the simplicity and strength of its language, which is at once homely and classical, and throughIt is full of out shews the scholar. indisputable proofs of Mr Tennant's |