benefit to Bonaparte, and me also, as a relaxation from our labours, resembled those which we had at Malmaison. As to our promenades in the city, they were often very amusing. At the period of our first inhabiting the Tuileries, when I saw Bonaparte enter the cabinet at eight o'clock in the evening in his gray coat, I knew he would say, "Bourrienne, come and take a turn." Sometimes, then, instead of going out by the garden arcade, we would take the little gate which leads from the court to the apartments of the Duc d'Angoulême. He would take my arm, and we would go to buy articles of trifling value in the shops of the Rue St. Honoré; but we did not extend our excursions farther than Rue de l'Arbre Sec. Whilst I made the shopkeeper exhibit before us the articles which I appeared anxious to buy he played his part in asking questions. Nothing was more amusing than to see him endeavouring to imitate the careless and jocular tone of the young men of fashion. How awkward was he in the attempt to put on dandy airs when pulling up the corners of his cravat he would say, "Well, Madame, is there anything new to-day? Citizen, what say they of Bonaparte? Your shop appears to be well supplied. You surely have a great deal of custom. What do people say of that buffoon, Bonaparte ?" He was made quite happy one day when we were obliged to retire hastily from a shop to avoid the attacks drawn upon us by the irreverent tone in which Bonaparte spoke of the First Consul. 1800. 357 CHAPTER XXXIV. 1800. War and monuments-Influence of the recollections of Egypt-First improvements in Paris-Malmaison too little-St. Cloud taken-The Pont des Arts-Business prescribed for me by Bonaparte-Pecuniary remuneration— The First Consul's visit to the Pritanée—His examination of the pupils— Consular pensions-Tragical death of Miackzinski-Introduction of vaccination Recall of the members of the Constituent Assembly-The "canary" volunteers-Tronchet and Target-Liberation of the Austrian prisonersLongchamps and sacred music-ANNEX. THE destruction of men and the construction of monuments were two things perfectly in unison in the mind of Bonaparte. It may be said that his passion for monuments almost equalled his passion for war; but as in all things he disliked what was little and mean, so he liked vast constructions and great battles. The sight of the colossal ruins of the monuments of Egypt had not a little contributed to augment his natural taste for great structures. It was not so much the monuments themselves that he admired, but the historical recollections they perpetuate, the great names they consecrate, the important events they attest. What should he have cared for the column which we beheld on our arrival in Alexandria had it not been Pompey's pillar? It is for artists to admire or censure its proportions and ornaments, for men of learning to explain its inscrip 1 Take pleasure, if you can, in reading your returns. The good condition of my armies is owing to my devoting to them one or two hours in every day. When the monthly returns of my armies and of my fleets, which form twenty thick volumes, are sent to me, I give up every other occupation in order to read them in detail and to observe the difference between one monthly return and another. No young girl enjoys her novel so much as I do these returns! (Napoleon to Joseph, 20th August 1806.-Du Casse, tome iii. p. 145). tions; but the name of Pompey renders it an object of interest to all. When endeavouring to sketch the character of Bonaparte I ought to have noticed his taste for monuments, for without this characteristic trait something essential is wanting to the completion of the portrait. This taste, or, as it may more properly be called, this passion for monuments, exercised no small influence on his thoughts and projects of glory; yet it did not deter him from directing attention to public improvements of a less ostentatious kind. He wished for great monuments to perpetuate the recollection of his glory; but at the same time he knew how to appreciate all that was truly useful. He could very rarely be reproached for rejecting any plan without examination; and this examination was a speedy affair, for his natural tact enabled him immediately to see things in their proper light. Though most of the monuments and embellishments of Paris are executed from the plans of men of talent, yet some owe their origin to circumstances merely accidental. Of this I can mention an example. I was standing at the window of Bonaparte's cabinet, which looked into the garden of the Tuileries. He had gone out, and I took advantage of his absence to rise from my chair, for I was tired of sitting. He had scarcely been gone a minute when he unexpectedly returned to ask me for a paper. "What are you doing there, Bourrienne? I'll wager anything you are admiring the ladies walking on the terrace."—" Why, I must confess I do sometimes amuse myself in that way," replied I; "but I assure you, General, I was now thinking of something else. I was looking at that villainous left bank of the Seine, which always annoys. me with the gaps in its dirty quay, and the floodings which almost every winter prevent communication with the Faubourg St. Germain, and I was thinking I would speak to you on the subject." He approached the window, and, looking out, said, "You are right, it is very ugly; and very offensive to see dirty linen washed before our windows. Here, write immediately: The quay of the École de Natation is to be finished during next campaign.' Send that order 1800. ST. CLOUD FOR THE FIRST CONSUL. 359 to the Minister of the Interior." The quay was finished the year following. As an instance of the enormous difference which frequently appears between the original estimates of architects and their subsequent accounts I may mention what occurred in relation to the Palace of St. Cloud. But I must first say a word about the manner in which Bonaparte originally refused and afterwards took possession of the Queen's pleasure-house. Malmaison was a suitable country residence for Bonaparte as long as he remained content with his town. apartments in the little Luxembourg; but that Consular bagatelle was too confined in comparison with the spacious apartments in the Tuileries. The inhabitants of St. Cloud, well-advised, addressed a petition to the Legislative Body, praying that their deserted château might be made the summer residence of the First Consul. The petition was referred to the Government; but Bonaparte, who was not yet Consul for life, proudly declared that so long as he was at the head of affairs, and, indeed, for a year afterwards, he would accept no national recompense. Some time after we went to visit the palace of the 18th Brumaire. Bonaparte liked it exceedingly, but all was in a state of complete dilapidation. It bore evident marks of the Revolution. The First Consul did not wish, as yet, to burden the budget of the State with his personal expenses, and he was alarmed at the enormous sum required to render St. Cloud habitable. Flattery had not yet arrived at the degree of proficiency which it subsequently attained; but even then his flatterers boldly assured him he might take possession of St. Cloud for 25,000 francs. I told the First Consul that, considering the ruinous state of the place, I could venture to say that the expense would amount to more than 1,200,000 francs. Bonaparte determined to have a regular estimate of the expense, and it amounted to nearly 3,000,000. He thought it a great sum; but as he had resolved to make St. Cloud his residence he gave orders for commencing the repairs, the expense of which, independently of the furniture, amounted to 6,000,000. So much for the 3,000,000 of the architect and the 25,000 francs of the flatterers. When the First Consul contemplated the building of the Pont des Arts we had a long conversation on the subject. I observed that it would be much better to build the bridge of stone. "The first object of monuments of this kind," said I, "is public utility. They require solidity of appearance, and their principal merit is duration. I cannot conceive, General, why, in a country where there is abundance of fine stone of every quality, the use of iron should be preferred." -“Write," said Bonaparte, "to Fontaine and Percier, the architects, and ask what they think of it." I wrote and they stated in their answer that "bridges were intended for public utility and the embellishment of cities. The projected bridge between the Louvre and the Quatre-Nations would unquestionably fulfil the first of these objects, as was proved by the great number of persons who daily crossed the Seine at that point in boats; that the site fixed upon between the Pont Neuf and the Tuileries appeared to be the best that could be chosen for the purpose; and that on the score of ornament Paris would gain little by the construction of an iron bridge, which would be very narrow, and which, from its light form, would not correspond with the grandeur of the two bridges between which it would be placed." When we had received the answer of MM. Percier and Fontaine, we again had a conversation on the subject of the bridge. I told the First Consul that I perfectly concurred in the opinion of MM. Fontaine and Percier; however, he would have his own way, and thus was authorised the construction of the toy which formed a communication between the Louvre and the Institute. But no sooner was the Pont des Arts finished than Bonaparte pronounced it to be mean and out of keeping with the other bridges above and below it. One day when visiting the Louvre he stopped at one of the windows looking towards the Pont des Arts and said, "There is no solidity, no grandeur about that bridge. In England, where stone is scarce, it is very natural that iron should be used for arches of large dimensions. But the case is different in France, where the requisite material is abundant." The infernal machine of the 3d Nivôse, of which I shall presently speak more at length, was the signal for vast |