Adapting Henry James to the Screen: Gender, Fiction, and FilmScarecrow Press, 2007 - 297 "This book shows how changing priorities affected the ways in which James's novels were translated to the screen and how gender relations were addressed. Raw discusses most of the major adaptations, beginning with Berkeley Square (1933) and culminating with James Ivory's The Golden Bowl (2000). This book also offers new readings of well-known adaptations and considers works that have been critically neglected, such as The Lost Moment (1947), The House in the Square (1951), The Haunting of Hell House (1999), and the four television versions of The Turn of the Screw produced between 1974 and 1999. Adapting Henry James to the Screen is the most comprehensive survey published on James's work on film and television."--Jacket. |
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Strona 15
... romantic elements as well as focusing on eighteenth- century customs and manners . Evidently he succeeded in his task . The critic Rob Wagner wrote soon after the film's opening in November 1933 that " The preview audience at Long Beach ...
... romantic elements as well as focusing on eighteenth- century customs and manners . Evidently he succeeded in his task . The critic Rob Wagner wrote soon after the film's opening in November 1933 that " The preview audience at Long Beach ...
Strona 21
... romantic : " A new fire of London , that's what needed here . Yes , and a new plague , too . Dirt , disease , cruelty , smells - Lord , how the eighteenth century stinks ! " This scene is pre- ceded by a short exterior sequence taking ...
... romantic : " A new fire of London , that's what needed here . Yes , and a new plague , too . Dirt , disease , cruelty , smells - Lord , how the eighteenth century stinks ! " This scene is pre- ceded by a short exterior sequence taking ...
Strona 87
... romantic score ( by John Barry ) . Szwarc was quoted in the film's press book as saying he had never encountered such a romantic story , " while another interview quoted him as saying that he had been inspired by the great Hollywood ...
... romantic score ( by John Barry ) . Szwarc was quoted in the film's press book as saying he had never encountered such a romantic story , " while another interview quoted him as saying that he had been inspired by the great Hollywood ...
Spis treści
Chapter 2 | 30 |
The Heiress 1949 | 39 |
Ill Never Forget You 1951 | 51 |
Prawa autorskie | |
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