Adapting Henry James to the Screen: Gender, Fiction, and FilmScarecrow Press, 2007 - 297 "This book shows how changing priorities affected the ways in which James's novels were translated to the screen and how gender relations were addressed. Raw discusses most of the major adaptations, beginning with Berkeley Square (1933) and culminating with James Ivory's The Golden Bowl (2000). This book also offers new readings of well-known adaptations and considers works that have been critically neglected, such as The Lost Moment (1947), The House in the Square (1951), The Haunting of Hell House (1999), and the four television versions of The Turn of the Screw produced between 1974 and 1999. Adapting Henry James to the Screen is the most comprehensive survey published on James's work on film and television."--Jacket. |
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Strona 43
... Sloper , while Sloper remains impassive , his eyes " quietly fixed on his [ Morris's ] bright , expressive face . " 24 The scene is shot in a series of long takes , focusing on what Wyler described as " a delib- erately slow unfolding ...
... Sloper , while Sloper remains impassive , his eyes " quietly fixed on his [ Morris's ] bright , expressive face . " 24 The scene is shot in a series of long takes , focusing on what Wyler described as " a delib- erately slow unfolding ...
Strona 218
... Sloper's ( Jennifer Jason Leigh's ) psychological development . Like Olive Chancellor in Ivory's film , Catherine understands the importance of behav- ing differently as she rejects her suitor , Morris Townsend ( Ben Chaplin ) , and ...
... Sloper's ( Jennifer Jason Leigh's ) psychological development . Like Olive Chancellor in Ivory's film , Catherine understands the importance of behav- ing differently as she rejects her suitor , Morris Townsend ( Ben Chaplin ) , and ...
Strona 220
... Sloper's anguish prevents him from showing any affection for Catherine . In his opinion , Catherine's mere presence caused the death of his wife . This is underlined later on in the film , when Sloper and Catherine are in the Alps , and ...
... Sloper's anguish prevents him from showing any affection for Catherine . In his opinion , Catherine's mere presence caused the death of his wife . This is underlined later on in the film , when Sloper and Catherine are in the Alps , and ...
Spis treści
Chapter 2 | 30 |
The Heiress 1949 | 39 |
Ill Never Forget You 1951 | 51 |
Prawa autorskie | |
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