Adapting Henry James to the Screen: Gender, Fiction, and FilmScarecrow Press, 2007 - 297 "This book shows how changing priorities affected the ways in which James's novels were translated to the screen and how gender relations were addressed. Raw discusses most of the major adaptations, beginning with Berkeley Square (1933) and culminating with James Ivory's The Golden Bowl (2000). This book also offers new readings of well-known adaptations and considers works that have been critically neglected, such as The Lost Moment (1947), The House in the Square (1951), The Haunting of Hell House (1999), and the four television versions of The Turn of the Screw produced between 1974 and 1999. Adapting Henry James to the Screen is the most comprehensive survey published on James's work on film and television."--Jacket. |
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Strona 11
... ( Madeleine Potter ) in Ivory's Bostonians ; this may be read as an example of female imprisonment or , more positively , as an expression of Olive's desire to challenge the conventions of heterosexual society and dis- cover new ...
... ( Madeleine Potter ) in Ivory's Bostonians ; this may be read as an example of female imprisonment or , more positively , as an expression of Olive's desire to challenge the conventions of heterosexual society and dis- cover new ...
Strona 130
... ( Madeleine Potter ) before her lecture begins . The action cuts to a shot of the music hall's neo - Gothic exterior with coaches drawing up alongside , before returning to another interior shot of the stage ( by now full of worthies ) ...
... ( Madeleine Potter ) before her lecture begins . The action cuts to a shot of the music hall's neo - Gothic exterior with coaches drawing up alongside , before returning to another interior shot of the stage ( by now full of worthies ) ...
Strona 190
... ( Madeleine Potter ) in Ivory's Bostonians . Hugh Stevens suggests that the notion of queerness as a transgressive homoerotic passion that is simulta- neously " highly private [ and ] heroic " was evident in most of James's work , from ...
... ( Madeleine Potter ) in Ivory's Bostonians . Hugh Stevens suggests that the notion of queerness as a transgressive homoerotic passion that is simulta- neously " highly private [ and ] heroic " was evident in most of James's work , from ...
Spis treści
Chapter 2 | 30 |
The Heiress 1949 | 39 |
Ill Never Forget You 1951 | 51 |
Prawa autorskie | |
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