Adapting Henry James to the Screen: Gender, Fiction, and FilmScarecrow Press, 2007 - 297 "This book shows how changing priorities affected the ways in which James's novels were translated to the screen and how gender relations were addressed. Raw discusses most of the major adaptations, beginning with Berkeley Square (1933) and culminating with James Ivory's The Golden Bowl (2000). This book also offers new readings of well-known adaptations and considers works that have been critically neglected, such as The Lost Moment (1947), The House in the Square (1951), The Haunting of Hell House (1999), and the four television versions of The Turn of the Screw produced between 1974 and 1999. Adapting Henry James to the Screen is the most comprehensive survey published on James's work on film and television."--Jacket. |
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Strona 86
... Christopher Reeve into a romantic leading man by giving him much the same kind of role that Tyrone Power played in I'll Never Forget You nearly three decades earlier . By contrast , Elise McKenna - the principal female character ...
... Christopher Reeve into a romantic leading man by giving him much the same kind of role that Tyrone Power played in I'll Never Forget You nearly three decades earlier . By contrast , Elise McKenna - the principal female character ...
Strona 134
... ( Christopher Reeve ) while continuing to promise herself to Olive . This renders her liable to exploitation by others . The film opens with a shot of an organist preparing to play " My Country ' Tis of Thee " ; we see a close - up of his ...
... ( Christopher Reeve ) while continuing to promise herself to Olive . This renders her liable to exploitation by others . The film opens with a shot of an organist preparing to play " My Country ' Tis of Thee " ; we see a close - up of his ...
Strona 135
Gender, Fiction, and Film Laurence Raw. BBC . Secondly , one of Christopher Reeve's biographers has suggested that ... Reeve idea ' and thought that Chris wasn't marketable in a serious literate film - that the art crowd would guffaw at ...
Gender, Fiction, and Film Laurence Raw. BBC . Secondly , one of Christopher Reeve's biographers has suggested that ... Reeve idea ' and thought that Chris wasn't marketable in a serious literate film - that the art crowd would guffaw at ...
Spis treści
Chapter 2 | 30 |
The Heiress 1949 | 39 |
Ill Never Forget You 1951 | 51 |
Prawa autorskie | |
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