Adapting Henry James to the Screen: Gender, Fiction, and FilmScarecrow Press, 2007 - 297 "This book shows how changing priorities affected the ways in which James's novels were translated to the screen and how gender relations were addressed. Raw discusses most of the major adaptations, beginning with Berkeley Square (1933) and culminating with James Ivory's The Golden Bowl (2000). This book also offers new readings of well-known adaptations and considers works that have been critically neglected, such as The Lost Moment (1947), The House in the Square (1951), The Haunting of Hell House (1999), and the four television versions of The Turn of the Screw produced between 1974 and 1999. Adapting Henry James to the Screen is the most comprehensive survey published on James's work on film and television."--Jacket. |
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Strona 109
... Charlotte playing the piano . The camera tracks backward once again to a medium shot of the prince , Maggie , and Adam Verver ( Barry Morse ) , who are listening to her recital . Two medium close - ups of Maggie's face , her eyes fixed ...
... Charlotte playing the piano . The camera tracks backward once again to a medium shot of the prince , Maggie , and Adam Verver ( Barry Morse ) , who are listening to her recital . Two medium close - ups of Maggie's face , her eyes fixed ...
Strona 111
... Charlotte on the left of the frame , and Maggie on the right . Such contradictory impulses where Charlotte chooses to remain close friends with someone who suspects her of having an affair with her hus- band - are beyond the scope of ...
... Charlotte on the left of the frame , and Maggie on the right . Such contradictory impulses where Charlotte chooses to remain close friends with someone who suspects her of having an affair with her hus- band - are beyond the scope of ...
Strona 255
... Charlotte is one such treasure , to be shown to anyone fortunate enough to pay him a visit - including the audience . At one point , she climbs the stairs to bed , her slight figure dwarfed by a huge oil painting in the back- ground ...
... Charlotte is one such treasure , to be shown to anyone fortunate enough to pay him a visit - including the audience . At one point , she climbs the stairs to bed , her slight figure dwarfed by a huge oil painting in the back- ground ...
Spis treści
Chapter 2 | 30 |
The Heiress 1949 | 39 |
Ill Never Forget You 1951 | 51 |
Prawa autorskie | |
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