The art of Japanese calligraphy, Tom 27Illustrations accompany this examination of the Japanese and Chinese forms of calligraphy and the elements that influenced their evolution |
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Strona 83
The extant examples of Japanese calligraphy from that period are mostly
inscriptions on stone or metal. Among these ... The bell inscription at the
monastery of Kobuku-ji (727) is unfortunately worn down but seems to be in the
same fine style.
The extant examples of Japanese calligraphy from that period are mostly
inscriptions on stone or metal. Among these ... The bell inscription at the
monastery of Kobuku-ji (727) is unfortunately worn down but seems to be in the
same fine style.
Strona 84
This kind of detail is in accordance with the old techniques and shows that the
writer of this inscription was no mediocre calligrapher. The bell inscription at
Jingo-ji reminds us of the T'ang writer Hsu Hao and the Docho-ji bell inscription is
in ...
This kind of detail is in accordance with the old techniques and shows that the
writer of this inscription was no mediocre calligrapher. The bell inscription at
Jingo-ji reminds us of the T'ang writer Hsu Hao and the Docho-ji bell inscription is
in ...
Strona 97
Inscription on brass lantern; 816. Ink rubbing; height 45 cm. Kobuku-ji, Kyoto. 95 (
top right). Jingo-ji Shomei. Bell inscription attributed to Fujiwara Toshi- yuki; 875.
Ink rubbing; height, 26.2 cm. Jingo-ji, Kyoto. 96 (bottom left). Docho-ji Shomei.
Inscription on brass lantern; 816. Ink rubbing; height 45 cm. Kobuku-ji, Kyoto. 95 (
top right). Jingo-ji Shomei. Bell inscription attributed to Fujiwara Toshi- yuki; 875.
Ink rubbing; height, 26.2 cm. Jingo-ji, Kyoto. 96 (bottom left). Docho-ji Shomei.
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Spis treści
The Origins and Styles of Chinese and Japanese | 9 |
Seal Script | 29 |
Scribes Script | 51 |
Prawa autorskie | |
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