The Art of Japanese CalligraphyWeatherhill, 1973 - 172 |
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Strona 84
... SUNG , YUAN , AND MING INFLUENCE. 祚橘流布普卬诈在晨 4 甚趟鏡如月滿秋盛明 duced at times even gyosho brushwork being ... SUNG , YUAN , AND MING INFLUENCE The calligraphy of Sung and Yuan China inundated Japan for a second time in the ...
... SUNG , YUAN , AND MING INFLUENCE. 祚橘流布普卬诈在晨 4 甚趟鏡如月滿秋盛明 duced at times even gyosho brushwork being ... SUNG , YUAN , AND MING INFLUENCE The calligraphy of Sung and Yuan China inundated Japan for a second time in the ...
Strona 153
... Sung China was brought back principally by the famous monks who had studied in China . The monk Myoan Eisai who founded the Kennin - ji temple in Kyoto , crossed over to China twice in the years 1168 and 1187 and became the successor in ...
... Sung China was brought back principally by the famous monks who had studied in China . The monk Myoan Eisai who founded the Kennin - ji temple in Kyoto , crossed over to China twice in the years 1168 and 1187 and became the successor in ...
Strona 155
... Sung China was eventually felt even by the emperor and the nobles , and Sung styles are evidenced in the writing of kaishi poem sheets , imperial edicts , etc. The calligraphy of emperors Hanazono ( Fig . 136 ) and Go - Daigo , who were ...
... Sung China was eventually felt even by the emperor and the nobles , and Sung styles are evidenced in the writing of kaishi poem sheets , imperial edicts , etc. The calligraphy of emperors Hanazono ( Fig . 136 ) and Go - Daigo , who were ...
Spis treści
Calligraphy | 6 |
Seal Script | 32 |
Edo and Meijiperiod Tensho | 42 |
Prawa autorskie | |
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