The Art of Japanese CalligraphyWeatherhill, 1973 - 172 |
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Strona 42
... Heian period without seeing much significant develop- ment of tensho seals . Finally though , in the Kama- kura ( 1185-1336 ) and Muromachi ( 1336-1568 ) periods , the seal - carving ( tenkoku ) style of the Sung and Yuan dynasties in ...
... Heian period without seeing much significant develop- ment of tensho seals . Finally though , in the Kama- kura ( 1185-1336 ) and Muromachi ( 1336-1568 ) periods , the seal - carving ( tenkoku ) style of the Sung and Yuan dynasties in ...
Strona 143
... period . ) Beginning with the three outstanding calligra- phers of the early Edo period , the beauty of Heian- and Kamakura - period kana was revived , and new , creative works were produced . After this revival , however , practice was ...
... period . ) Beginning with the three outstanding calligra- phers of the early Edo period , the beauty of Heian- and Kamakura - period kana was revived , and new , creative works were produced . After this revival , however , practice was ...
Strona 152
... Heian period is Fujiwara Toshiyuki's Jingo - ji Shomei ( bell in- scription at Jingo - ji temple ; 875 ; Fig . 95 ) . It is truly fortunate that many of the masterpieces of early Heian calligraphy , which carry the finest T'ang style ...
... Heian period is Fujiwara Toshiyuki's Jingo - ji Shomei ( bell in- scription at Jingo - ji temple ; 875 ; Fig . 95 ) . It is truly fortunate that many of the masterpieces of early Heian calligraphy , which carry the finest T'ang style ...
Spis treści
Calligraphy | 6 |
Seal Script | 32 |
Edo and Meijiperiod Tensho | 42 |
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