Shakespeare on the German Stage: Volume 1, 1586-1914, Tom 1

Przednia okładka
Cambridge University Press, 11 lis 2004 - 260
This is an illustrated history of the performance and reception of Shakespeare's plays on the German stage from the English Comedians in the late sixteenth century to the First World War. Simon Williams argues that the vision of Shakespeare first articulated by critics of Sturm und Drang and romanticism was only realised in practice with the productions of Max Reinhardt in the early twentieth century. The book focuses on the classical period of German literature and theatre, when Shakespeare's plays were first staged in Germany in a relatively complete form, and when they had a potent influence on the writings of German drama and dramatic criticism. Important contributions to the critical reception of Shakespeare in the late eighteenth century are discussed. Professor Williams describes the steady increase in productions of Shakespeare's plays during the nineteenth century, paying attention to textual adaptation, actors' interpretations of leading roles and, in the latter part of the book, to the influence of the rise of the director on Shakespearean performance. A subsequent volume by Wilhelm Hortmann discusses Shakespeare production in Germany from the early twentieth century to the present day.
 

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the English
27
Shakespeare and the mideighteenthcentury
46
Schröders Hamlet
67
s Shakespeare at the Weimar Court Theatre
88
Shakespeare at the Vienna Burgtheater
108
Shakespeare and the German actor
127
Shakespeare and spectacle 147 8 Romantic legacy Shakespeare and spectacle
172
the
195
Shakespeare on the German stage a timeline
221
Index
241
Prawa autorskie

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