has instructed her in the manners of the old school, and enriched her mind with all kinds of novels and romances. Indeed, her ladyship has had a great hand in promoting the match between Julia and the captain, having had them together at her country seat, the moment she found there was an attachment growing up between them; the good lady being never so happy as when she has a pair of turtles cooing about her.

I have been pleased to see the fondness with which the fair Julia is regarded by the old servants at the Hall. She has been a pet with them from childhood, and every one seems to lay some claim to her education; so that it is no wonder she should be extremely accomplished. The gardener taught her to rear flowers, of which she is extremely fond. Old Christy, the pragmatical huntsman, softens when she approaches; and as she sits lightly and gracefully in her saddle, claims the merit of, having taught her to ride; while the housekeeper, who almost looks upon her as a daughter, intimates that she first gave her an insight into the mysteries of the toilet, having been dressing-maid in her young days to the late Mrs. Bracebridge. I am inclined to credit this last claim, as I have noticed that the dress of the young lady had an air of the old school, though managed with native taste, and that her hair was put up very much in the style of Sir Peter Lely's portraits in the picture gallery.

Her very musical attainments partake of this old-fashioned character, and most of her songs are such as are not at the pres ent day to be found on the piano of a modern performer. I have, however, seen so much of modern fashions, modern accomplishments, and modern fine ladies, that I relish this tinge of antiquated style in so young and lovely a girl; and I have had as much pleasure in hearing her warble one of the old songs of Herrick,

or Carew, or Suckling, adapted to some simple old melody, as. from listening to a lady amateur sky-lark it up and down through the finest bravura of Rossini or Mozart.

We have very pretty music in the evenings, occasionally, between her and the captain, assisted sometimes by Master Simon, who scrapes, dubiously, on his violin; being very apt to get out, and to halt a note or two in the rear. Sometimes he even thrums a little on the piano, and takes a part in a trio, in which his voice can generally be distinguished by a certain quavering tone, and an occasional false note.

I was praising the fair Julia's performance to him after one of her songs, when I found he took to himself the whole credit of having formed her musical taste, assuring me that she was very apt; and, indeed, summing up her whole character in his knowing way, by adding, that "she was a very nice girl, and had no nonsense about her."

FAMILY RELICS.

My Infelice's face, her brow, her eye,

The dimple on her cheek: and such sweet skill
Hath from the cunning workman's pencil flown,
These lips look fresh and lively as her own.
False colors last after the true be dead.
Of all the roses grafted on her cheeks,

Of all the graces dancing in her eyes,

Of all the music set upon her tongue,
Of all that was past woman's excellence
In her white bosom; look, a painted board
Circumscribes all!

DEKKER.

An old English family mansion is a fertile subject for study. It abounds with illustrations of former times, and traces of the tastes, and humors, and manners, of successive generations. The alterations and additions, in different styles of architecture; the furniture, plate, pictures, hangings; the warlike and sporting implements of different ages and fancies; all furnish food for curious and amusing speculation. As the Squire is very careful in collecting and preserving all family relics, the Hall is full of remembrances of the kind. In looking about the establishment, I can picture to myself the characters and habits that have prevailed at different eras of the family history. I have mentioned on a former occasion the armor of the crusaders which hangs up in the Hall. There are also several jackboots, with enormously

thick soles and high heels, which belonged to a set of cavaliers, who filled the Hall with the din and stir of arms during the time of the Covenanters. A number of enormous drinking vessels of antique fashion, with huge Venice glasses, and green hock-glasses, with the apostles in relief on them, remain as monuments of a generation or two of hard livers, who led a life of roaring revelry, and first introduced the gout into the family.

I shall pass over several more such indications of temporary tastes of the Squire's predecessors; but I cannot forbear to notice a pair of antlers in the great hall, which is one of the trophies of a hard-riding squire of former times, who was the Nimrod of these parts. There are many traditions of his wonderful feats in hunting still existing, which are related by old Christy, the huntsman, who gets exceedingly nettled if they are in the least doubted. Indeed, there is a frightful chasm, a few miles from the Hall, which goes by the name of the Squire's Leap, from his having cleared it in the ardor of the chase; there can be no doubt of the fact, for old Christy shows the very dints of the horse's hoofs on the rocks on each side of the chasm.

Master Simon holds the memory of this Squire in great veneration, and has a number of extraordinary stories to tell concerning him, which he repeats at all hunting dinners; and I am told that they wax more and more marvellous the older they grow. He has also a pair of Rippon spurs which belonged to this mighty hunter of yore, and which he only wears on particular occasions.

The place, however, which abounds most with mementoes of past times, is the picture gallery; and there is something strangely pleasing, though melancholy, in considering the long rows of portraits which compose the greater part of the collection. They

furnish a kind of narrative of the lives of the family worthies which I am enabled to read with the assistance of the venerable housekeeper, who is the family chronicler, prompted occasionally by Master Simon. There is the progress of a fine lady, for instance, through a variety of portraits. One represents her as a little girl, with a long waist and hoop, holding a kitten in her arms, and ogling the spectator out of the corners of her eyes, as if she could not turn her head. In another we find her in the freshness of youthful beauty, when she was a celebrated belle, and so hard-hearted as to cause several unfortunate gentlemen to run desperate and write bad poetry. In another she is depicted as a stately dame, in the maturity of her charms; next to the portrait of her husband, a gallant colonel in full-bottomed wig and gold-laced hat, who was killed abroad; and, finally, her monument is in the church, the spire of which may be seen from the window, where her effigy is carved in marble, and represents her as a venerable dame of seventy-six.

In like manner I have followed some of the family great men through a series of pictures, from early boyhood to the robe of dignity, or truncheon of command, and so on by degrees, until they were garnered up in the common repository, the neighboring church.

There is one group that particularly interested me. It consisted of four sisters of nearly the same age, who flourished about a century since, and, if I may judge from their portraits, were extremely beautiful. I can imagine what a scene of gayety and romance this old mansion must have been, when they were in the heyday of their charms; when they passed like beautiful visions through its halls, or stepped daintily to music in the revels and dances of the cedar gallery; or printed, with delicate feet, the