Critical worksT. Cadell and W. Davies, strand., 1811 |
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Strona 13
... rules of good writing ; to be gotten by heart by every young student ; and to whose decisive authority the great- est masters in taste and composition must finally submit . But the more unquestioned the credit of this poem is , the more ...
... rules of good writing ; to be gotten by heart by every young student ; and to whose decisive authority the great- est masters in taste and composition must finally submit . But the more unquestioned the credit of this poem is , the more ...
Strona 15
... rules . Nay its effects have reached still further . For , conceiving as they did , that the whole had been composed out of the Greek critics , the labour and ingenuity of its interpreters have been misemployed in picking out ...
... rules . Nay its effects have reached still further . For , conceiving as they did , that the whole had been composed out of the Greek critics , the labour and ingenuity of its interpreters have been misemployed in picking out ...
Strona 21
... rules and labour of composition were exactly the same in these two poems . Though the critics on Statius , not appre- hending this identity , or exact correspondence be- tween the satire and epistle , have unnecessarily , and without ...
... rules and labour of composition were exactly the same in these two poems . Though the critics on Statius , not appre- hending this identity , or exact correspondence be- tween the satire and epistle , have unnecessarily , and without ...
Strona 24
... rules . III . These rules are reducible to three . 1. that there be an unity in the subject . 2. a connexion in the ... rule of nature before explained , they could ne- ver have found an art of poetry in the epistle , we are about to ...
... rules . III . These rules are reducible to three . 1. that there be an unity in the subject . 2. a connexion in the ... rule of nature before explained , they could ne- ver have found an art of poetry in the epistle , we are about to ...
Strona 29
... subject of the epistle , containing some ge- neral rules and reflexions on poetry , but principally with an eye to the following parts : by which means it VOL . I. C Reddatur formae . Pictoribus atque poetis 10 Quidlibet audendi semper.
... subject of the epistle , containing some ge- neral rules and reflexions on poetry , but principally with an eye to the following parts : by which means it VOL . I. C Reddatur formae . Pictoribus atque poetis 10 Quidlibet audendi semper.
Kluczowe wyrazy i wyrażenia
absurdity admiration affected agreeable ancient appears applied Aristotle Atellane atque attended authority beauty censure character chorus Cicero comedy COMMENTARY common composition Creon critic Dacier dicere drama elegance enim Ennius epistle epithets etiam Euripides excellence expression facundia further genius give Greek hath Hence Hippolytus honour Horace idea imitation instance junctura kind language Latin learned Lucilius manner means Medea Menander mind modern moral Multa nature nexion numbers nunc objects observed occasion old comedy orichalco Oscan Pacuvius painting passage passion peculiar Peleus piece Plautus pleasure poem poet poet's poetic poetry precept proper propriety quæ quam quid Quintilian quod racter reader reason reflexions Roman stage rule satire satyrs says sense sentiments shew shewn Sophocles speaking species spirit sunt tamen taste Telephus Thespis thing Thyestes tibi Tibia tion tragedy tragic true truth virtue whole words writers καὶ
Popularne fragmenty
Strona 32 - Doctus iter melius ; mortalia facta peribunt : Nedum sermonum stet honos, et gratia vivax. Multa renascentur, quae jam cecidere ; cadentque Quae nunc sunt in honore vocabula, si volet usus, Quem penes arbitrium est et jus et norma loquendi.
Strona 74 - That which is now a horse, even with a thought The rack dislimns, and makes it indistinct As water is in water.
Strona 40 - Incident, nee quarta loqui persona laboret. .Actoris partes chorus officiumque virile Defendat," neu quid medios intercinat actus, Q,uod non proposito conducat et haereat apte...
Strona 27 - ... inceptis gravibus plerumque et magna professis purpureus, late qui splendeat, unus et alter 15 adsuitur pannus, cum lucus et ara Dianae et properantis aquae per amoenos ambitus agros aut flumen Rhenum aut pluvius describitur arcus; sed nunc non erat his locus. et fortasse cupressum scis simulare: quid hoc, si fractis enatat exspes 20 navibus, aere dato qui pingitur?
Strona 54 - Natura fieret laudabile carmen an arte Quaesitum est : ego nee Studium sine divite vena Nee rude quid possit video ingenium ; alterius sic 410 Altera poscit opem res et conjurat amice.
Strona 33 - Descriptas servare vices operumque colores Cur ego si nequeo ignoroque poeta salutor ? Cur nescire pudens prave quam discere malo ? Versibus exponi tragicis res comica non vult ; Indignatur item privatis ac prope socco 90 Dignis carminibus narrari coena Thyestae.
Strona 53 - Tu nihil invita dices faciesve Minerva ; 385 Id tibi judicium est, ea mens ; si quid tamen olim Scripseris, in Maeci descendat judicis aures Et patris et nostras, nonumque prematur in annum : Membranis intus positis delere licebit, Quod non edideris ; nescit vox missa reverti.
Strona 47 - Munus et officium, nil scribens ipse, docebo ; Unde parentur opes ; quid alat formetque poetam ; Quid deceat, quid non ; quo virtus, quo ferat error.
Strona 37 - Semper ad eventum festinat et in medias res Non secus ac notas auditorem rapit, et quae Desperat tractata nitescere posse relinquit ; 150 Atque ita mentitur, sic veris falsa remiscet, Primo ne medium, medio ne discrepet imum.
Strona 301 - Detrimenta, fugas servorum, incendia ridet ; Non fraudem socio puerove incogitat ullam Pupillo ; vivit siliquis et pane secundo ; Militiae quamquam piger et malus, utilis urbi, Si das hoc parvis quoque rebus magna juvari. 125 Os tenerum pueri balbumque poeta figurat, Torquet ab obscoenis jam nunc sermonibus aurem...