Critical worksT. Cadell and W. Davies, strand., 1811 |
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Strona 17
... called the DIDACTIC ; the other , the ELEGIAC epistle . By the FIRST I mean all those epistles , whose end is to instruct ; whether the subject be morals , politics , criticism , or , in general , human life by the LATTER , all those ...
... called the DIDACTIC ; the other , the ELEGIAC epistle . By the FIRST I mean all those epistles , whose end is to instruct ; whether the subject be morals , politics , criticism , or , in general , human life by the LATTER , all those ...
Strona 22
... called the Elegy : a poem of very antient Greek extraction : naturally arising from the plain- tive , querulous humour of mankind ; which , under the pressure of any grief , is impatient to break forth into wailings and tender ...
... called the Elegy : a poem of very antient Greek extraction : naturally arising from the plain- tive , querulous humour of mankind ; which , under the pressure of any grief , is impatient to break forth into wailings and tender ...
Strona 55
... called faults , were really not so : that some parts of a poem ought to be less shining , or less finished , than others ; according to the light , they were placed in , or the distance , from which they were viewed ; and that , serving ...
... called faults , were really not so : that some parts of a poem ought to be less shining , or less finished , than others ; according to the light , they were placed in , or the distance , from which they were viewed ; and that , serving ...
Strona 75
... called , as compound epithets are ; and not of the grace of novelty which single words seem to acquire from the art of disposing of them . " By which we understand , that the learned critic did not perceive the scope of his author ...
... called , as compound epithets are ; and not of the grace of novelty which single words seem to acquire from the art of disposing of them . " By which we understand , that the learned critic did not perceive the scope of his author ...
Strona 113
... called beau- tiful : not because the same perceptions are excited by all ( the pleasures being apparently different ) but because they are all excited in the same manner . And this is confirmed by a distinction which every one ...
... called beau- tiful : not because the same perceptions are excited by all ( the pleasures being apparently different ) but because they are all excited in the same manner . And this is confirmed by a distinction which every one ...
Kluczowe wyrazy i wyrażenia
absurdity admiration affected agreeable ancient appears applied Aristotle Atellane atque attended authority beauty censure character chorus Cicero comedy COMMENTARY common composition Creon critic Dacier dicere drama elegance enim Ennius epistle epithets etiam Euripides excellence expression facundia further genius give Greek hath Hence Hippolytus honour Horace idea imitation instance junctura kind language Latin learned Lucilius manner means Medea Menander mind modern moral Multa nature nexion numbers nunc objects observed occasion old comedy orichalco Oscan Pacuvius painting passage passion peculiar Peleus piece Plautus pleasure poem poet poet's poetic poetry precept proper propriety quæ quam quid Quintilian quod racter reader reason reflexions Roman stage rule satire satyrs says sense sentiments shew shewn Sophocles speaking species spirit sunt tamen taste Telephus Thespis thing Thyestes tibi Tibia tion tragedy tragic true truth virtue whole words writers καὶ
Popularne fragmenty
Strona 32 - Doctus iter melius ; mortalia facta peribunt : Nedum sermonum stet honos, et gratia vivax. Multa renascentur, quae jam cecidere ; cadentque Quae nunc sunt in honore vocabula, si volet usus, Quem penes arbitrium est et jus et norma loquendi.
Strona 74 - That which is now a horse, even with a thought The rack dislimns, and makes it indistinct As water is in water.
Strona 40 - Incident, nee quarta loqui persona laboret. .Actoris partes chorus officiumque virile Defendat," neu quid medios intercinat actus, Q,uod non proposito conducat et haereat apte...
Strona 27 - ... inceptis gravibus plerumque et magna professis purpureus, late qui splendeat, unus et alter 15 adsuitur pannus, cum lucus et ara Dianae et properantis aquae per amoenos ambitus agros aut flumen Rhenum aut pluvius describitur arcus; sed nunc non erat his locus. et fortasse cupressum scis simulare: quid hoc, si fractis enatat exspes 20 navibus, aere dato qui pingitur?
Strona 54 - Natura fieret laudabile carmen an arte Quaesitum est : ego nee Studium sine divite vena Nee rude quid possit video ingenium ; alterius sic 410 Altera poscit opem res et conjurat amice.
Strona 33 - Descriptas servare vices operumque colores Cur ego si nequeo ignoroque poeta salutor ? Cur nescire pudens prave quam discere malo ? Versibus exponi tragicis res comica non vult ; Indignatur item privatis ac prope socco 90 Dignis carminibus narrari coena Thyestae.
Strona 53 - Tu nihil invita dices faciesve Minerva ; 385 Id tibi judicium est, ea mens ; si quid tamen olim Scripseris, in Maeci descendat judicis aures Et patris et nostras, nonumque prematur in annum : Membranis intus positis delere licebit, Quod non edideris ; nescit vox missa reverti.
Strona 47 - Munus et officium, nil scribens ipse, docebo ; Unde parentur opes ; quid alat formetque poetam ; Quid deceat, quid non ; quo virtus, quo ferat error.
Strona 37 - Semper ad eventum festinat et in medias res Non secus ac notas auditorem rapit, et quae Desperat tractata nitescere posse relinquit ; 150 Atque ita mentitur, sic veris falsa remiscet, Primo ne medium, medio ne discrepet imum.
Strona 301 - Detrimenta, fugas servorum, incendia ridet ; Non fraudem socio puerove incogitat ullam Pupillo ; vivit siliquis et pane secundo ; Militiae quamquam piger et malus, utilis urbi, Si das hoc parvis quoque rebus magna juvari. 125 Os tenerum pueri balbumque poeta figurat, Torquet ab obscoenis jam nunc sermonibus aurem...