Shakespeare's TragediesRoutledge & Kegan Paul, 1961 - 277 "G B Harrison here recognizes that Shakespeare's tragedies were intended for performance in a theatre and that the playwright's conspicuous gift among his contemporaries was a sympathy for joy and sorrow, pity and terror, and right and wrong of his people. The plays covered are: Titus Andronicus, Romeo and Juliet, Julius Caesar, Hamlet, Troilus and Cressida, Othello, King Lear, Macbeth, Antony and Cleopatra, Coriolanus and Timon of Athens"--Publisher's description. |
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Strona 134
... Othello and Iago with torch- bearers . Iago has recovered outwardly from his first rage against Othello and appears civil , even friendly to his Captain but , as we have already seen , this is a deliberate pose . We hear a little more ...
... Othello and Iago with torch- bearers . Iago has recovered outwardly from his first rage against Othello and appears civil , even friendly to his Captain but , as we have already seen , this is a deliberate pose . We hear a little more ...
Strona 147
... Othello returns , visibly moved by his seething emotions , for he is approaching that distressing state known to contemporaries as horn mad . He is torn between belief in Desdemona's guilt and incredulity , and belief is uppermost . Othello ...
... Othello returns , visibly moved by his seething emotions , for he is approaching that distressing state known to contemporaries as horn mad . He is torn between belief in Desdemona's guilt and incredulity , and belief is uppermost . Othello ...
Strona 148
... Othello's mind ; there remains only action — the punishment of the guilty pair . Iago must deal with Cassio . He will himself find some swift means of death for the ' fair devil ' , for devil she has now become in Othello's eyes , a ...
... Othello's mind ; there remains only action — the punishment of the guilty pair . Iago must deal with Cassio . He will himself find some swift means of death for the ' fair devil ' , for devil she has now become in Othello's eyes , a ...
Spis treści
SHAKESPEAREAN TRAGEDY | 9 |
TITUS ANDRONICUS | 30 |
ROMEO AND JULIET | 47 |
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Aaron Achilles Ajax Alcibiades Antony and Cleopatra Antony's Apemantus audience Aufidius Bassianus blood Brabantio Brutus CALIFORNIA/SANTA CRUZ Cassio character Claudius comes Cordelia Coriolanus critics CRUZ The University curtains dead death deep tragedy Desdemona drama Edmund Elizabethan Emilia emotions Enobarbus enters episode eyes father feeling follows Friar friends Gloucester Goneril Greek Hamlet hand hath heart Hector honour Iago Iago's inner stage Julius Caesar kill King Laertes Lavinia Lear Lord Lucius Macbeth Martius Menenius mind moral mother murder nature never night Octavius Othello Pandarus passes Patroclus Plutarch Queen realize Regan replies returns revenge Revenge Play Roderigo Rome Romeo and Juliet Saturninus scene sense Shakespeare soliloquy Spanish Tragedy speak speech stage direction story Tamora thee Thersites thou Timon Titus Andronicus tragic tribunes Troylus and Cressida Tybalt Ulysses University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/SANTA upper stage utter Volumnia wife words young