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THAT

Mote.

HAT indefatigable and single-hearted Commentator on the Ancient Things of The Catholic Church, whom Warburton superciliously or enviously calls "Fuller the Buffoon," hath the following passage upon Painted Glass so quaintly moralized, that it seems well worthy of a place among memorials wherein the eulogies of that gorgeous manufacture of the Monastic Ages are so profusely emblazoned.

"I was lately satisfied in what I heard of before, by the confession of an excellent Artist, (the most skilful in any kind are most willing to acknowledge their ignorance) that the mystery of ANNEALING OF GLASS, that is, baking it so that the Colour may go through it, is now by some casualty quite lost in England, if not in Europe.

"Break a piece of Red Glass, painted some* Four Hundred years since, and it will be found as red in the middle as in the outsides; the Colour is not only on it, but in it, and through it.

* Observe, Fuller wrote this exactly Two Hundred years ago. His "Good Thoughts in Bad Times," was printed at Exeter, in 1645.

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"Whereas, now all Art can perform is only to fix the Red on one side of the Glass, and that ofttime so faint and fading, that within few years it falleth off, and looketh piebald to the eye.

"I suspect a more important Mystery is much lost in our Age, viz. the transmitting of true Piety clean through the Heart, that a Man become inside and outside alike. Oh! the Sincerity of the ancient Patriarchs, inspired Prophets, holy Apostles, patient Martyrs, and pious Fathers of the Primitive Church! whereas only outside Sanctity is too usual in our Age. Happy the man on whose Monument that character of Asa, 1 Kings, xv. 14., may be truly inscribed for his Epitaph: Here lieth the Man whose heart was perfect with the Lord all his days.' HEART PERFECT,' OH, THE FINEST OF WARES!

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HIS DAYS,' OH, THE LARGEST OF MEASURES!"

ALL

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