William Shakespeare, King LearSusan Bruce Columbia University Press, 1998 - 192 This Critical Guide helps students sift through and make sense of nearly three centuries of Lear criticism, providing insight into different assessments of the play's merit and its place within Shakespeare's work and the canon of English literature. Highlights include excerpts from the neoclassical and Romantic receptions of King Lear -- material from John Dryden, Samuel Johnson, Samuel Taylor Coleridge, and Victor Hugo -- and a discussion of recent and current trends in criticism of the play. |
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... Tate's adaptation of King Lear . Part One of this chapter ( p . 16 ) reprints extracts from Tate's Lear and some responses to it . Part Two ( p . 26 ) explains the aesthetic ' Rules ' which motivated both Tate's adaptation and the ...
... Tate's adaptation of King Lear . Part One of this chapter ( p . 16 ) reprints extracts from Tate's Lear and some responses to it . Part Two ( p . 26 ) explains the aesthetic ' Rules ' which motivated both Tate's adaptation and the ...
Strona 12
... Tate's version find it a travesty of the original text , the same cannot be said for many of those who wrote about the play before 1800 , for whom Shakespeare's Lear was inferior to Tate's adaptation ( for reasons we will examine more ...
... Tate's version find it a travesty of the original text , the same cannot be said for many of those who wrote about the play before 1800 , for whom Shakespeare's Lear was inferior to Tate's adaptation ( for reasons we will examine more ...
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Spis treści
NeoClassicism | 15 |
Romanticism | 48 |
Realism | 83 |
From Christianity to Chaos | 116 |
Contemporary Criticism of King Lear | 149 |
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