Painting and Poetry: Form, Metaphor, and the Language of LiteratureBucknell University Press, 1985 - 248 This study addresses itself to the formal (in the topological sense) aspect of literature and literary words, and concludes that if logos (discursive langauge) and mythos (literary language) are indeed contiguous complementary forms, they are then essentially no different from those forms with which the painter or sculptor deals in the formation of his art object. |
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Strona 10
... precisely that refocusing from the verbal toward the visuo - spatial which the phrase " the figure a poem makes" seems to suggest . The neurophysiological evidence , as it bears upon the use of language and the perception and re ...
... precisely that refocusing from the verbal toward the visuo - spatial which the phrase " the figure a poem makes" seems to suggest . The neurophysiological evidence , as it bears upon the use of language and the perception and re ...
Strona 13
... precisely limited perspec- tive of a contour reduced to a dimensionality which in truth may be said to be somewhat less than two of the ordinary three . The very scope embraced by the two in their juxtaposition makes the more valuable ...
... precisely limited perspec- tive of a contour reduced to a dimensionality which in truth may be said to be somewhat less than two of the ordinary three . The very scope embraced by the two in their juxtaposition makes the more valuable ...
Strona 24
... Precisely how is the artistic vision formed and pre- cisely how does it inform the work of art ? Among his various counsels to the would - be painter , Leonardo in- cluded a bit of advice for those moments when the imagination seems to ...
... Precisely how is the artistic vision formed and pre- cisely how does it inform the work of art ? Among his various counsels to the would - be painter , Leonardo in- cluded a bit of advice for those moments when the imagination seems to ...
Strona 32
... precisely this stage in the process : Perception of an object costs Precise the Object's loss— Perception in itself a Gain Replying to its Price— The object Absolute — is nought— Perception sets it fair And then upbraids a Perfectness ...
... precisely this stage in the process : Perception of an object costs Precise the Object's loss— Perception in itself a Gain Replying to its Price— The object Absolute — is nought— Perception sets it fair And then upbraids a Perfectness ...
Strona 34
... precisely this stage in the formation of the work of art . This essential image interplay is the raison d'etre in the best art instruction for the exhaus- tive training in drawing from models , in learning the anatomy not just of the ...
... precisely this stage in the formation of the work of art . This essential image interplay is the raison d'etre in the best art instruction for the exhaus- tive training in drawing from models , in learning the anatomy not just of the ...
Spis treści
23 | |
41 | |
Archetrope and Transformation | 62 |
The Literary Art Object A Topological View | 81 |
Literary Form The Topology of Metaphor | 105 |
The Perception of Poetic Form | 125 |
Logos and Mythos | 148 |
Words and Signs | 172 |
The Pleasure of Ulteriority | 197 |
Notes | 217 |
Works Cited | 231 |
Index | 243 |
Kluczowe wyrazy i wyrażenia
Allan Paivio Altamira André Leroi-Gourhan artistic vision axis Bachelard becomes bimodalism bison Braque Brassaï calligraphy cave Chinese cognitive color composition concept consequence cubist cutouts discontinuity drawing Edited elements essential example experience eyes fact figure Françoise Gilot fusion garden Gaston Bachelard Gertrude Stein Gogh Henri Matisse illustrate imagery imagination interplay isomorphism Jean Vertut Lascaux left hemisphere linear linguistic literary art object literary language literature logos manifest Matisse's means memory image metaphor Morphogenesis movement mythos nature Necessary Angel novel painter Paris perceived phenomenon phrase Picasso poem poet poet's poetic polysemy precisely prehistoric present reader reading reality René Thom right hemisphere Robert Frost rock protuberance schèmes sense shape significance signification space Spender structure suggested surface surreal synchronous Tabac Royal thing Thom tion topological model trans transformational perception Translated truth University Press vase verbal event virtual lines visual Wallace Stevens woman Woolf word writing wrote York
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Strona 28 - Sometime we see a cloud that's dragonish, A vapour sometime like a bear or lion, A towered citadel, a pendent rock, A forked mountain, or blue promontory With trees upon 't, that nod unto the world And mock our eyes with air.
Strona 52 - And what can these avail To lift the smothering weight from off my breast? My genial spirits fail; It were a vain endeavor, Though I should gaze for ever On that green light that lingers in the west; I may not hope from outward forms to win The passion and the life, whose fountains are within.
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Strona 208 - Peter Quince at the Clavier": Just as my fingers on these keys Make music, so the self-same sounds On my spirit make a music, too. Music is feeling, then, not sound; And thus it is that what I feel, Here in this room, desiring you, Thinking of your blue-shadowed silk, Is music.
Strona 64 - If I read a book [and] it makes my whole body so cold no fire ever can warm me I know THAT is poetry. If I feel physically as if the top of my head were taken off, I know THAT is poetry. These are the only way I know it. Is there any other way.
Strona 64 - can warm me I know THAT is poetry. If I feel physically as if the top of my head were taken off, I know THAT is poetry. These are the only way I know it. Is there any other way.
Strona 107 - it inclines to the impulse, it assumes direction with the first line laid down, it runs a course of lucky events, and ends in a clarification of life—not necessarily a great clarification, such as sects and cults are founded on, but in a momentary stay against confusion.
Strona 51 - Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason.