Theater of the OppressedUrizen Books, 1979 - 197 |
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Strona 84
... word epic is fashionably applied in only one sense : in reference to some films about the mass murders of American Indians by government troops , or films about the ex- pansionist war of the United States against Mexico — in short ...
... word epic is fashionably applied in only one sense : in reference to some films about the mass murders of American Indians by government troops , or films about the ex- pansionist war of the United States against Mexico — in short ...
Strona 84
... word epic is fashionably applied in only one sense : in reference to some films about the mass murders of American Indians by government troops , or films about the ex- pansionist war of the United States against Mexico in short , films ...
... word epic is fashionably applied in only one sense : in reference to some films about the mass murders of American Indians by government troops , or films about the ex- pansionist war of the United States against Mexico in short , films ...
Strona 138
Augusto Boal. because use of the language idiom is avoided . Each word has a denotation that is the same for all , but it also has a connotation that is unique for each individual . If I utter the word " revolu- tion , " obviously ...
Augusto Boal. because use of the language idiom is avoided . Each word has a denotation that is the same for all , but it also has a connotation that is unique for each individual . If I utter the word " revolu- tion , " obviously ...
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi