Theater of the OppressedUrizen Books, 1979 - 197 |
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Strona 14
... virtuous manner , whether others recognize him or not . This is the highest degree of happiness : the virtuous exercise of the ra- tional soul . ―― Now we know that tragedy imitates the actions of the ratio- nal soul - passions ...
... virtuous manner , whether others recognize him or not . This is the highest degree of happiness : the virtuous exercise of the ra- tional soul . ―― Now we know that tragedy imitates the actions of the ratio- nal soul - passions ...
Strona 16
... virtuous habits taught by his elders , the legislators who instruct the citizens in virtuous habits . Thus we know now that vice is extreme behavior and virtue is behavior characterized neither by excess nor deficiency . But if any ...
... virtuous habits taught by his elders , the legislators who instruct the citizens in virtuous habits . Thus we know now that vice is extreme behavior and virtue is behavior characterized neither by excess nor deficiency . But if any ...
Strona 19
... virtuous behavior consists in the agent's knowing the true terms of the option . He who acts in ignorance practices neither virtue nor vice . Fourth Condition : Constancy . Since virtues and vices are habits , not merely passions , it ...
... virtuous behavior consists in the agent's knowing the true terms of the option . He who acts in ignorance practices neither virtue nor vice . Fourth Condition : Constancy . Since virtues and vices are habits , not merely passions , it ...
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi