Theater of the OppressedUrizen Books, 1979 - 197 |
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Strona 19
... flaw ( hamartia ) ? His tragedy does not consist in having killed his father or married his mother . Those are not habitual acts either , and habit is one of ... tragic flaw of the character consists Aristotle's Coercive System of Tragedy 19.
... flaw ( hamartia ) ? His tragedy does not consist in having killed his father or married his mother . Those are not habitual acts either , and habit is one of ... tragic flaw of the character consists Aristotle's Coercive System of Tragedy 19.
Strona 41
... tragedy presents two characters who meet , two tragic heroes , each one with his flaw , who destroy each other before an ethically perfect society . This is the typical case of Antigone and Creon , both very fine persons in every way ...
... tragedy presents two characters who meet , two tragic heroes , each one with his flaw , who destroy each other before an ethically perfect society . This is the typical case of Antigone and Creon , both very fine persons in every way ...
Strona 44
... tragic flaw and must be punished . ... Here , from the ethical point of view , a sort of triangle is established . Up to now we have analyzed conflicts in which the " social ethics " was the same for the characters as for the spectators ...
... tragic flaw and must be punished . ... Here , from the ethical point of view , a sort of triangle is established . Up to now we have analyzed conflicts in which the " social ethics " was the same for the characters as for the spectators ...
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi