Theater of the OppressedUrizen Books, 1979 - 197 |
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Strona 93
... thought conditions social being ; for Marxist poetics , social being condi- tions social thought . In Hegel's view , the spirit creates the dra- matic action ; for Brecht , the character's social relations create the dramatic action ...
... thought conditions social being ; for Marxist poetics , social being condi- tions social thought . In Hegel's view , the spirit creates the dra- matic action ; for Brecht , the character's social relations create the dramatic action ...
Strona 178
... thought determines ac- tion or , on the contrary , that action determines thought . The first position is exhaustively defended by Hegel in his poetics , and long before that , by Aristotle . Both state , in quite similar terms , that ...
... thought determines ac- tion or , on the contrary , that action determines thought . The first position is exhaustively defended by Hegel in his poetics , and long before that , by Aristotle . Both state , in quite similar terms , that ...
Strona 186
... thought " text in differ- ent tones , aided by the lighting and other theatrical resources . In Days Without End the ... thoughts were confided to the spectators through asides or similar techniques which does not happen when his ...
... thought " text in differ- ent tones , aided by the lighting and other theatrical resources . In Days Without End the ... thoughts were confided to the spectators through asides or similar techniques which does not happen when his ...
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi