Theater of the OppressedUrizen Books, 1979 - 197 |
Z wnętrza książki
Wyniki 1 - 3 z 34
Strona 125
... theatrical vocabulary is the human body , the main source of sound and movement . Therefore , to control the means of theatrical produc- tion , man must , first of all , control his own body , know his own body , in order to be capable ...
... theatrical vocabulary is the human body , the main source of sound and movement . Therefore , to control the means of theatrical produc- tion , man must , first of all , control his own body , know his own body , in order to be capable ...
Strona 161
Augusto Boal. - since the circular stage always reveals the theatrical character of any performance : audience facing audience , with the actors in between , and all the theatrical mechanisms bared , without dis- guise reflectors ...
Augusto Boal. - since the circular stage always reveals the theatrical character of any performance : audience facing audience , with the actors in between , and all the theatrical mechanisms bared , without dis- guise reflectors ...
Strona 186
... theatrical resources . In Days Without End the presence of two actors for the role of John Loving proved to be necessary : one interpreted John , the visible part of his personality , and the other interpreted Loving , his inner life ...
... theatrical resources . In Days Without End the presence of two actors for the role of John Loving proved to be necessary : one interpreted John , the visible part of his personality , and the other interpreted Loving , his inner life ...
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi