Theater of the OppressedUrizen Books, 1979 - 197 |
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Strona 124
... symbols that are meaningless for that audience . A royal crown may symbolize power , but a symbol only functions as such if 124 THEATER OF THE OPPRESSED.
... symbols that are meaningless for that audience . A royal crown may symbolize power , but a symbol only functions as such if 124 THEATER OF THE OPPRESSED.
Strona 125
... symbol of exploitation . It expresses to perfection the rapacity of " Yan- kee " imperialism . In Lima the people were also asked , what is exploitation ? Many photographs showed the grocer ; others the landlord ; still others , some ...
... symbol of exploitation . It expresses to perfection the rapacity of " Yan- kee " imperialism . In Lima the people were also asked , what is exploitation ? Many photographs showed the grocer ; others the landlord ; still others , some ...
Strona 153
... ( symbol : the wallet , for example ) , member of a fraternal order , etc. , etc. It is important that the symbols be chosen by the participants present and that they not be imposed " from above . " For a particular community the symbol ...
... ( symbol : the wallet , for example ) , member of a fraternal order , etc. , etc. It is important that the symbols be chosen by the participants present and that they not be imposed " from above . " For a particular community the symbol ...
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi