Theater of the OppressedUrizen Books, 1979 - 197 |
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Strona 164
... style . Many people thought that the production of classic works was a return to the TBC and did not realize the greater scope of the new project . When we staged Molière , Lope , or Machiavelli , it was never our intention to recreate ...
... style . Many people thought that the production of classic works was a return to the TBC and did not realize the greater scope of the new project . When we staged Molière , Lope , or Machiavelli , it was never our intention to recreate ...
Strona 170
... style of circus and vaudeville . Many thought that the chosen path was dangerous and the Arena received several warnings regard- ing its limits ; a real attempt was made to draw a decisive line between the " dignity of art " and the ...
... style of circus and vaudeville . Many thought that the chosen path was dangerous and the Arena received several warnings regard- ing its limits ; a real attempt was made to draw a decisive line between the " dignity of art " and the ...
Strona 175
... style . It is true that many successful plays use more than one style , as in the case of Ferenc Molnar's Liliom or Elmer Rice's The Adding Machine Development of the Arena Theater of São Paulo 175.
... style . It is true that many successful plays use more than one style , as in the case of Ferenc Molnar's Liliom or Elmer Rice's The Adding Machine Development of the Arena Theater of São Paulo 175.
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi