Theater of the OppressedUrizen Books, 1979 - 197 |
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Strona 128
... structure of the participants . That is , to take them apart , to study and analyze them . Not to weaken or destroy them , but to raise them to the level of consciousness . So that each worker , each peasant understands , sees , and ...
... structure of the participants . That is , to take them apart , to study and analyze them . Not to weaken or destroy them , but to raise them to the level of consciousness . So that each worker , each peasant understands , sees , and ...
Strona 177
... structure that is absolutely flexible , so that it can absorb the new discoveries and remain at the same time unchanged and identical to itself . The creation of new rules and conventions in theater , within a structure remaining ...
... structure that is absolutely flexible , so that it can absorb the new discoveries and remain at the same time unchanged and identical to itself . The creation of new rules and conventions in theater , within a structure remaining ...
Strona 196
... structure to another role in another structure , etc. It is important to understand that men , fundamentally equal , are related among themselves according to unequal structures ( family , work , school , neighborhood , etc ...
... structure to another role in another structure , etc. It is important to understand that men , fundamentally equal , are related among themselves according to unequal structures ( family , work , school , neighborhood , etc ...
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi