Theater of the OppressedUrizen Books, 1979 - 197 |
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Strona 35
... relation to what the character does - that is , his ethos . But there is likewise an em- pathic relationship dianoia ( the character's ) - reason ( the spectator's ) , which corresponds to ethos - emotion . The ethos stimulates emotion ...
... relation to what the character does - that is , his ethos . But there is likewise an em- pathic relationship dianoia ( the character's ) - reason ( the spectator's ) , which corresponds to ethos - emotion . The ethos stimulates emotion ...
Strona 102
... relation to the character : whatever happens to the latter , happens vicariously to the spectator . In the case of ... relation : dianoia ( character's thought - spectator's thought ) . That is , empathy was the result of the ethos , but ...
... relation to the character : whatever happens to the latter , happens vicariously to the spectator . In the case of ... relation : dianoia ( character's thought - spectator's thought ) . That is , empathy was the result of the ethos , but ...
Strona 196
... relations compared to the structure of the relations of production . 5 ) The social complex family - neighborhood - work . Neighbors , companions , members of the same ball team , of the same society for neighborhood improvement , of ...
... relations compared to the structure of the relations of production . 5 ) The social complex family - neighborhood - work . Neighbors , companions , members of the same ball team , of the same society for neighborhood improvement , of ...
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi