Theater of the OppressedUrizen Books, 1979 - 197 |
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Strona ix
Augusto Boal. ix Foreword This book attempts to show that all theater is necessarily political , because all the activities of man are political and theater is one of them . Those who try to separate theater from politics try to lead us ...
Augusto Boal. ix Foreword This book attempts to show that all theater is necessarily political , because all the activities of man are political and theater is one of them . Those who try to separate theater from politics try to lead us ...
Strona xiv
... politics . What I propose to do in this work is to show that , in spite of that , Aristotle constructs the first , extremely powerful poetic - political system for intimidation of the spectator , for elimination of the " bad " or ...
... politics . What I propose to do in this work is to show that , in spite of that , Aristotle constructs the first , extremely powerful poetic - political system for intimidation of the spectator , for elimination of the " bad " or ...
Strona 21
... political good . - Tragedy imitates those actions of man which have the good as their goal ; but it does not imitate ... political good . And what is the political good ? There is no doubt : the highest good is the political one , and ...
... political good . - Tragedy imitates those actions of man which have the good as their goal ; but it does not imitate ... political good . And what is the political good ? There is no doubt : the highest good is the political one , and ...
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi