Theater of the OppressedUrizen Books, 1979 - 197 |
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Strona 92
Augusto Boal. A Word Poorly Chosen The Marxist poetics of Bertolt Brecht does not stand opposed to one or another formal aspect of the Hegelian idealist poetics but rather denies its very essence , asserting that the character is not ...
Augusto Boal. A Word Poorly Chosen The Marxist poetics of Bertolt Brecht does not stand opposed to one or another formal aspect of the Hegelian idealist poetics but rather denies its very essence , asserting that the character is not ...
Strona 93
... poetics . In Brecht's objection , as well as in any other Marxist objec- tion , what is at stake is who , or which term , precedes the other : the subjective or the objective . For idealist poetics , social thought conditions social ...
... poetics . In Brecht's objection , as well as in any other Marxist objec- tion , what is at stake is who , or which term , precedes the other : the subjective or the objective . For idealist poetics , social thought conditions social ...
Strona 155
... poetics of Aristotle is the poetics of oppression : the world is known , perfect or about to be perfected , and all its values are imposed on the spectators , who passively delegate power to the characters to act and think in their ...
... poetics of Aristotle is the poetics of oppression : the world is known , perfect or about to be perfected , and all its values are imposed on the spectators , who passively delegate power to the characters to act and think in their ...
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi