Theater of the OppressedUrizen Books, 1979 - 197 |
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Strona 29
... pity or fear , but something contained in those emo- tions , or mixed with them . We must determine the identity of this foreign body which is eliminated by the cathartic process . In this case , pity and fear would only be part of the ...
... pity or fear , but something contained in those emo- tions , or mixed with them . We must determine the identity of this foreign body which is eliminated by the cathartic process . In this case , pity and fear would only be part of the ...
Strona 30
... pity that such a wonderful person is destroyed for having one fault , pride , which perhaps we also have : hence our fear . Creon defends the right of the State and seeing that he has to bear the death of his wife and son causes pity in ...
... pity that such a wonderful person is destroyed for having one fault , pride , which perhaps we also have : hence our fear . Creon defends the right of the State and seeing that he has to bear the death of his wife and son causes pity in ...
Strona 31
... pity and fear . The impurity exists , no doubt , and it is in fact the object of purgation in the character's mind , or as Aristotle would say , in his very soul . But Aristotle does not speak of the existence of pure or impure pity ...
... pity and fear . The impurity exists , no doubt , and it is in fact the object of purgation in the character's mind , or as Aristotle would say , in his very soul . But Aristotle does not speak of the existence of pure or impure pity ...
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi