Theater of the OppressedUrizen Books, 1979 - 197 |
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Strona 18
... person , part of one's soul . Though there is no free- dom when coercion comes from without , acts based upon inner impulse must be regarded as freely undertaken . The woman was condemned . Third Condition : Knowledge . It is the ...
... person , part of one's soul . Though there is no free- dom when coercion comes from without , acts based upon inner impulse must be regarded as freely undertaken . The woman was condemned . Third Condition : Knowledge . It is the ...
Strona 128
... person and each person acts as if his mate were his leg . The " leg " doesn't move alone : it must be put in motion by its mate ! 3 ) Monster race . " Monsters " of four legs are formed : each person embraces the thorax of his mate but ...
... person and each person acts as if his mate were his leg . The " leg " doesn't move alone : it must be put in motion by its mate ! 3 ) Monster race . " Monsters " of four legs are formed : each person embraces the thorax of his mate but ...
Strona 139
... person to realize that his own vision of real- ity is a cosmic one , as if he were a part of that reality . The game of images offers many other possibilities . The im- portant thing is always to analyze the feasibility of the change ...
... person to realize that his own vision of real- ity is a cosmic one , as if he were a part of that reality . The game of images offers many other possibilities . The im- portant thing is always to analyze the feasibility of the change ...
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi