Theater of the OppressedUrizen Books, 1979 - 197 |
Z wnętrza książki
Wyniki 1 - 3 z 19
Strona 135
... participants and " sculpting " with them a group of statues , in such a way that his opinions and feelings become evident . The participant is to use the bodies of the others as if he were a sculptor and the others were made of clay ...
... participants and " sculpting " with them a group of statues , in such a way that his opinions and feelings become evident . The participant is to use the bodies of the others as if he were a sculptor and the others were made of clay ...
Strona 139
... participant has to intervene decisively in the dramatic action and change it . The procedure is as follows : First , the participants are asked to tell a story containing a political or social problem of difficult solution . Then a ten ...
... participant has to intervene decisively in the dramatic action and change it . The procedure is as follows : First , the participants are asked to tell a story containing a political or social problem of difficult solution . Then a ten ...
Strona 150
... participants all the other characters who will partici- pate in the reconstruction of the incident . Then , after receiving the information and directions provided by the protagonist , the participants and the protagonist act out the ...
... participants all the other characters who will partici- pate in the reconstruction of the incident . Then , after receiving the information and directions provided by the protagonist , the participants and the protagonist act out the ...
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi