Theater of the OppressedUrizen Books, 1979 - 197 |
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Strona 119
... oppressed people are liberated themselves and , once more , are making the theater their own . The walls must be torn down . First , the spectator starts acting again : invisible thea- ter , forum theater , image theater , etc. Secondly ...
... oppressed people are liberated themselves and , once more , are making the theater their own . The walls must be torn down . First , the spectator starts acting again : invisible thea- ter , forum theater , image theater , etc. Secondly ...
Strona 122
... oppressed fo- cuses on the action itself : the spectator delegates no power to the character ( or actor ) either to act or to think in his place ; on the contrary , he himself assumes the protagonic role , changes the dramatic action ...
... oppressed fo- cuses on the action itself : the spectator delegates no power to the character ( or actor ) either to act or to think in his place ; on the contrary , he himself assumes the protagonic role , changes the dramatic action ...
Strona 150
... oppressed ; we pro- letarians are oppressed ; therefore the proletariat is oppressed . It is necessary to pass from the particular to the general , not vice versa , and to deal with something that has happened to someone in particular ...
... oppressed ; we pro- letarians are oppressed ; therefore the proletariat is oppressed . It is necessary to pass from the particular to the general , not vice versa , and to deal with something that has happened to someone in particular ...
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi