Theater of the OppressedUrizen Books, 1979 - 197 |
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Strona 86
... objective fact itself in its objectivity . " 3 In telling how this or that battle developed , the epic poet must describe the battle with the maximum of objective details possible , without concerning himself with his particular manner ...
... objective fact itself in its objectivity . " 3 In telling how this or that battle developed , the epic poet must describe the battle with the maximum of objective details possible , without concerning himself with his particular manner ...
Strona 110
... objective ( epic ) , the subjective ( lyrical ) , or an equilibrium of the two ( dramatic ) . In the latter case , it is obvi- ous that characters such as Mother Courage , Señora Carrar , Galileo Galilei , Mauler , and other " dramatic ...
... objective ( epic ) , the subjective ( lyrical ) , or an equilibrium of the two ( dramatic ) . In the latter case , it is obvi- ous that characters such as Mother Courage , Señora Carrar , Galileo Galilei , Mauler , and other " dramatic ...
Strona 178
... objective and objective - subjective contradictions ; that is , one of the poles is always the economic infrastructure of the society , even though the other may be a moral value . In the " Joker " the structure of conflicts is always ...
... objective and objective - subjective contradictions ; that is , one of the poles is always the economic infrastructure of the society , even though the other may be a moral value . In the " Joker " the structure of conflicts is always ...
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi