Theater of the OppressedUrizen Books, 1979 - 197 |
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Strona 17
Augusto Boal. Necessary Characteristics of Virtue A man can behave in a totally virtuous manner and , in spite of that , not be considered virtuous ; or he may behave in a vicious manner and not be ... Necessary Characteristics of Virtue.
Augusto Boal. Necessary Characteristics of Virtue A man can behave in a totally virtuous manner and , in spite of that , not be considered virtuous ; or he may behave in a vicious manner and not be ... Necessary Characteristics of Virtue.
Strona 74
... necessary . Thus the characters who embody those values come into conflict with the characters who incorpo- rate their antitheses . The dramatic action is the result of the peripeteia produced by those struggles . The action , according ...
... necessary . Thus the characters who embody those values come into conflict with the characters who incorpo- rate their antitheses . The dramatic action is the result of the peripeteia produced by those struggles . The action , according ...
Strona 150
... necessary to pass from the particular to the general , not vice versa , and to deal with something that has happened to someone in particular , but which at the same time is typical of what hap- pens to others . The person who tells the ...
... necessary to pass from the particular to the general , not vice versa , and to deal with something that has happened to someone in particular , but which at the same time is typical of what hap- pens to others . The person who tells the ...
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi