Theater of the OppressedUrizen Books, 1979 - 197 |
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Strona 7
... matter " and " form . " " Matter , " in turn , is what consti- tutes substance ; the matter of a tragedy is the words that consti- tute it ; the matter of a statue is the marble . " Form " is the sum of the predicates we can attribute ...
... matter " and " form . " " Matter , " in turn , is what consti- tutes substance ; the matter of a tragedy is the words that consti- tute it ; the matter of a statue is the marble . " Form " is the sum of the predicates we can attribute ...
Strona 8
... Matter , for Aristotle , is pure poten- tial , and form is pure act ; the movement of things toward perfec- tion is therefore what he called " the enactment of potential , " the passage from pure matter to pure form . Our concern here ...
... Matter , for Aristotle , is pure poten- tial , and form is pure act ; the movement of things toward perfec- tion is therefore what he called " the enactment of potential , " the passage from pure matter to pure form . Our concern here ...
Strona 85
... matter . This is the case with poetry . The matter of poetry is the words , not cement or marble . For this reason the spirit in poetry is able to reach refinements which are impossible in architecture , where the ma- terial substances ...
... matter . This is the case with poetry . The matter of poetry is the words , not cement or marble . For this reason the spirit in poetry is able to reach refinements which are impossible in architecture , where the ma- terial substances ...
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi