Theater of the OppressedUrizen Books, 1979 - 197 |
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Strona 123
... live ?, they re- sponded with the following types of photo - answers : 1 ) A picture showing the interior of a shack . In Lima it rarely rains and for this reason the shacks are made of straw mats , instead of with more permanent walls ...
... live ?, they re- sponded with the following types of photo - answers : 1 ) A picture showing the interior of a shack . In Lima it rarely rains and for this reason the shacks are made of straw mats , instead of with more permanent walls ...
Strona 124
... live . Take a picture and show us where you live . Any picture ; the street , the house , the town , the river ... " Here is my answer . Here is where I live . " " But it's a child . ... 99 " Look at his face : there is blood on it ...
... live . Take a picture and show us where you live . Any picture ; the street , the house , the town , the river ... " Here is my answer . Here is where I live . " " But it's a child . ... 99 " Look at his face : there is blood on it ...
Strona 134
Augusto Boal. to live with the other woman , and what about the wife ? How is she going to live now ? The poor woman does not make enough money to support herself and cannot get along without her husband . 4 ) The last solution was ...
Augusto Boal. to live with the other woman , and what about the wife ? How is she going to live now ? The poor woman does not make enough money to support herself and cannot get along without her husband . 4 ) The last solution was ...
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi