Theater of the OppressedUrizen Books, 1979 - 197 |
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Strona 25
... fundamental aspect : its repressive function . And why is the repressive function the fundamental aspect of the Greek tragedy and of the Aristotelian system of tragedy ? Simply because , according to Aristotle , the principle aim of ...
... fundamental aspect : its repressive function . And why is the repressive function the fundamental aspect of the Greek tragedy and of the Aristotelian system of tragedy ? Simply because , according to Aristotle , the principle aim of ...
Strona 49
... fundamental and very important element of the system . It can be the recognition made by the char- acter himself , and thus empathically this recognition is trans- ferred to the spectator . But in any case , the recognition is made by ...
... fundamental and very important element of the system . It can be the recognition made by the char- acter himself , and thus empathically this recognition is trans- ferred to the spectator . But in any case , the recognition is made by ...
Strona 64
... fundamental characteristics of the new class . Before him , includ- ing during the Middle Ages , there were plays and authors that made attempts in the same direction : Hans Sachs in Germany , Ruzzante in Italy ( not to mention ...
... fundamental characteristics of the new class . Before him , includ- ing during the Middle Ages , there were plays and authors that made attempts in the same direction : Hans Sachs in Germany , Ruzzante in Italy ( not to mention ...
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