Theater of the OppressedUrizen Books, 1979 - 197 |
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Strona 122
... dramatic action . I hope that the differences remain clear . Aristotle proposes a po- etics in which the spectator delegates power to the dramatic character so that the latter may act and think for him . Brecht proposes a poetics in ...
... dramatic action . I hope that the differences remain clear . Aristotle proposes a po- etics in which the spectator delegates power to the dramatic character so that the latter may act and think for him . Brecht proposes a poetics in ...
Strona 155
... Dramatic action substitutes for real action . Brecht's poetics is that of the enlightened vanguard : the world is revealed as subject to change , and the change starts in the theater itself , for the spectator does not delegate power to ...
... Dramatic action substitutes for real action . Brecht's poetics is that of the enlightened vanguard : the world is revealed as subject to change , and the change starts in the theater itself , for the spectator does not delegate power to ...
Strona 178
... actions originate in the sub- jectivity of the character . - no Brecht- the theoretician and not necessarily the playwright defends the opposite position . For him , the character is a reflection of the dramatic action , action which ...
... actions originate in the sub- jectivity of the character . - no Brecht- the theoretician and not necessarily the playwright defends the opposite position . For him , the character is a reflection of the dramatic action , action which ...
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi