Theater of the OppressedUrizen Books, 1979 - 197 |
Z wnętrza książki
Wyniki 1 - 3 z 28
Strona 40
Augusto Boal. Different Types of Conflict : Hamartia and Social Ethos As we have seen , Aristotle's coercive system of tragedy requires : a ) the creation of a conflict between the character's ethos and the ethos of the society in which ...
Augusto Boal. Different Types of Conflict : Hamartia and Social Ethos As we have seen , Aristotle's coercive system of tragedy requires : a ) the creation of a conflict between the character's ethos and the ethos of the society in which ...
Strona 74
... conflict is necessary . Thus the characters who embody those values come into conflict with the characters who incorpo- rate their antitheses . The dramatic action is the result of the peripeteia produced by those struggles . The action ...
... conflict is necessary . Thus the characters who embody those values come into conflict with the characters who incorpo- rate their antitheses . The dramatic action is the result of the peripeteia produced by those struggles . The action ...
Strona 183
... conflict of the play . Only one costume will be allowed for each social role : army , church , proletariat , aristocracy , judicial power , etc. It may happen that two or more actors performing the same role will be on stage at the same ...
... conflict of the play . Only one costume will be allowed for each social role : army , church , proletariat , aristocracy , judicial power , etc. It may happen that two or more actors performing the same role will be on stage at the same ...
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi