Theater of the OppressedUrizen Books, 1979 - 197 |
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Strona 17
Augusto Boal. Necessary Characteristics of Virtue A man can behave in a totally virtuous manner and , in spite of that , not be considered virtuous ; or he may behave in a vicious manner and not be considered ... Characteristics of Virtue.
Augusto Boal. Necessary Characteristics of Virtue A man can behave in a totally virtuous manner and , in spite of that , not be considered virtuous ; or he may behave in a vicious manner and not be considered ... Characteristics of Virtue.
Strona 34
... characteristic is called hamartia . Hamartia . It is also known as the tragic flaw . It is the only " impurity " that ... characteristics : the spectator assumes a passive attitude and delegates the power of action to the character ...
... characteristic is called hamartia . Hamartia . It is also known as the tragic flaw . It is the only " impurity " that ... characteristics : the spectator assumes a passive attitude and delegates the power of action to the character ...
Strona 106
... characteristics ; Brecht clarifies concepts , reveals truths , exposes contradictions , and proposes transformations . The former desire a quiet somnolence at the end of the spectacle ; Brecht wants the theatrical spectacle to be the ...
... characteristics ; Brecht clarifies concepts , reveals truths , exposes contradictions , and proposes transformations . The former desire a quiet somnolence at the end of the spectacle ; Brecht wants the theatrical spectacle to be the ...
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi