Theater of the OppressedUrizen Books, 1979 - 197 |
Z wnętrza książki
Wyniki 1 - 3 z 91
Strona 37
Augusto Boal. follow the character empathically until the moment of the peripeteia and then detach himself at that point . In order to avoid that , the tragic character must also pass through what Aristotle calls anagnorisis — that is ...
Augusto Boal. follow the character empathically until the moment of the peripeteia and then detach himself at that point . In order to avoid that , the tragic character must also pass through what Aristotle calls anagnorisis — that is ...
Strona 42
... character is saved , the catastrophe is avoided , and instead a happy end occurs . It is important to note that Aristotle clearly objected to the happy end , but we should note , too , that the coercive character of his whole system is ...
... character is saved , the catastrophe is avoided , and instead a happy end occurs . It is important to note that Aristotle clearly objected to the happy end , but we should note , too , that the coercive character of his whole system is ...
Strona 178
... character - object and character - subject which schematically derives from the belief that thought determines ac- tion or , on the contrary , that action determines thought . The first position is exhaustively defended by Hegel in his ...
... character - object and character - subject which schematically derives from the belief that thought determines ac- tion or , on the contrary , that action determines thought . The first position is exhaustively defended by Hegel in his ...
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi