Theater of the OppressedUrizen Books, 1979 - 197 |
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Strona 34
... character . Hamartia is the only thing that can and must be destroyed , so that the whole of the character's ethos may conform to the ethos of the society . In this confrontation of tendencies , of ethos , the hamartia causes the ...
... character . Hamartia is the only thing that can and must be destroyed , so that the whole of the character's ethos may conform to the ethos of the society . In this confrontation of tendencies , of ethos , the hamartia causes the ...
Strona 91
... character's nature as subject ; that is , the argument that all ex- terior actions have their origin in the character's free spirit . A Word Poorly Chosen The Marxist poetics of Bertolt Brecht The Character as Subject or the Character ...
... character's nature as subject ; that is , the argument that all ex- terior actions have their origin in the character's free spirit . A Word Poorly Chosen The Marxist poetics of Bertolt Brecht The Character as Subject or the Character ...
Strona 178
... character's spirit . Hegel goes even further and , as if he were thinking with premonition of present- day Brazil , he asserts that modern society is becoming incompat- ible with theater , since all the characters of today are prisoners ...
... character's spirit . Hegel goes even further and , as if he were thinking with premonition of present- day Brazil , he asserts that modern society is becoming incompat- ible with theater , since all the characters of today are prisoners ...
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi