Theater of the OppressedUrizen Books, 1979 - 197 |
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Strona 16
Augusto Boal. The one who practices wisdom becomes wise , he who practices justice becomes just , and the architect acquires his virtue as an architect by constructing buildings . Habits , not faculties ! Habits , not merely ephemeral ...
Augusto Boal. The one who practices wisdom becomes wise , he who practices justice becomes just , and the architect acquires his virtue as an architect by constructing buildings . Habits , not faculties ! Habits , not merely ephemeral ...
Strona 60
... become rich . If he did become rich , that meant that God was on his side . Accumulated capital thus came to be a sign of divine grace . The poor , those who worked with their hands , the workers and peasants , were merely a legion of ...
... become rich . If he did become rich , that meant that God was on his side . Accumulated capital thus came to be a sign of divine grace . The poor , those who worked with their hands , the workers and peasants , were merely a legion of ...
Strona 194
... becomes aware of the strings that move this ritual . 6 ) Simultaneous rituals . To one ritual another is added , si- multaneously , to serve as a point of comparison or to add a meaning . 7 ) Metamorphosis . an actor's changing his ...
... becomes aware of the strings that move this ritual . 6 ) Simultaneous rituals . To one ritual another is added , si- multaneously , to serve as a point of comparison or to add a meaning . 7 ) Metamorphosis . an actor's changing his ...
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi