Theater of the OppressedUrizen Books, 1979 - 197 |
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Strona 132
... audience to offer solutions . They im- provise immediately all the suggested solutions , and the audience has the right to intervene , to correct the actions or words of the actors , who are obligated to comply strictly with these ...
... audience to offer solutions . They im- provise immediately all the suggested solutions , and the audience has the right to intervene , to correct the actions or words of the actors , who are obligated to comply strictly with these ...
Strona 134
... audience , men and women . She said : " Do it like this : let him come in , get a really big stick , and hit him with all your might - give him a good beating . After you've beat him enough for him to feel repentant , put the stick away ...
... audience , men and women . She said : " Do it like this : let him come in , get a really big stick , and hit him with all your might - give him a good beating . After you've beat him enough for him to feel repentant , put the stick away ...
Strona 142
... audiences are interested in experimenting , in rehearsing , and they abhor the " closed " spectacles . In those cases ... audience from practic- ing also more " finished " forms of theater . In Peru many forms previously developed in ...
... audiences are interested in experimenting , in rehearsing , and they abhor the " closed " spectacles . In those cases ... audience from practic- ing also more " finished " forms of theater . In Peru many forms previously developed in ...
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi