Theater of the OppressedUrizen Books, 1979 - 197 |
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Strona 132
... actors develop it to the point at which the main prob- lem reaches a crisis and needs a solution . Then the actors stop the performance and ask the audience to offer solutions . They im- provise immediately all the suggested solutions ...
... actors develop it to the point at which the main prob- lem reaches a crisis and needs a solution . Then the actors stop the performance and ask the audience to offer solutions . They im- provise immediately all the suggested solutions ...
Strona 161
... actors in between , and all the theatrical mechanisms bared , without dis- guise reflectors , entries and exits , rudimentary decorations . Surprisingly , the circular stage proved to be the better form for the realistic theater , since ...
... actors in between , and all the theatrical mechanisms bared , without dis- guise reflectors , entries and exits , rudimentary decorations . Surprisingly , the circular stage proved to be the better form for the realistic theater , since ...
Strona 183
... actors who represent adversary roles . In the sample example : King Claudius , Queen Gertrude , Laertes , Polonius , etc. The choruses do not have a fixed number of actors ; they may vary from one episode to another . There will be two ...
... actors who represent adversary roles . In the sample example : King Claudius , Queen Gertrude , Laertes , Polonius , etc. The choruses do not have a fixed number of actors ; they may vary from one episode to another . There will be two ...
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi