Theater of the OppressedUrizen Books, 1979 - 197 |
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Strona 12
Augusto Boal. What does Tragedy Imitate ? Tragedy imitates human acts . Human acts , not merely human activities . For Aristotle , man's soul was composed of a rational part and of another , irrational part . The irrational soul could ...
Augusto Boal. What does Tragedy Imitate ? Tragedy imitates human acts . Human acts , not merely human activities . For Aristotle , man's soul was composed of a rational part and of another , irrational part . The irrational soul could ...
Strona 13
Augusto Boal. action worthy of tragedy . It is necessary that that passion be constant in the man ; that is , that by its repeated exertion it has become a habit . Thus we conclude that tragedy imitates man's actions , but only those ...
Augusto Boal. action worthy of tragedy . It is necessary that that passion be constant in the man ; that is , that by its repeated exertion it has become a habit . Thus we conclude that tragedy imitates man's actions , but only those ...
Strona 21
... Tragedy imitates those actions of man which have the good as their goal ; but it does not imitate actions which have minor ends , of secondary importance . Tragedy imitates actions that are directed toward the highest goal , the ...
... Tragedy imitates those actions of man which have the good as their goal ; but it does not imitate actions which have minor ends , of secondary importance . Tragedy imitates actions that are directed toward the highest goal , the ...
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi