Theater of the OppressedUrizen Books, 1979 - 197 |
Z wnętrza książki
Wyniki 1 - 3 z 29
Strona 65
... Machiavelli : " The people easily accept the change of masters because they believe , in vain , that their lot is ... Machiavelli and Mandragola Mandragola is a play typical of the Machiavelli and the Poetics of Virtù 65.
... Machiavelli : " The people easily accept the change of masters because they believe , in vain , that their lot is ... Machiavelli and Mandragola Mandragola is a play typical of the Machiavelli and the Poetics of Virtù 65.
Strona 66
... Machiavelli apologizes for having written a theatrical work — a light genre , lacking in austerity . He seems to believe that he must simply entertain the spectators , making them think as little as possible and delighting them with a ...
... Machiavelli apologizes for having written a theatrical work — a light genre , lacking in austerity . He seems to believe that he must simply entertain the spectators , making them think as little as possible and delighting them with a ...
Strona 71
... Machiavelli would say , the difference between " how one should live and how one actually lives . " Even after the ... Machiavelli and that Machiavelli had some important things to say . The use of a simple love story and of characters ...
... Machiavelli would say , the difference between " how one should live and how one actually lives . " Even after the ... Machiavelli and that Machiavelli had some important things to say . The use of a simple love story and of characters ...
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi