Theater of the OppressedUrizen Books, 1979 - 197 |
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Strona 30
... Creon defends the right of the State and seeing that he has to bear the death of his wife and son causes pity in us because , together with all the virtues he possesses , he has the fault of seeing only the good of the State and not ...
... Creon defends the right of the State and seeing that he has to bear the death of his wife and son causes pity in us because , together with all the virtues he possesses , he has the fault of seeing only the good of the State and not ...
Strona 36
... Creon is informed of the death of his son and his wife ; Hippolytus cannot convince his father of his innocence , and the latter impells his son , uninten- tionally , to death . Peripeteia is important because it lengthens the road from ...
... Creon is informed of the death of his son and his wife ; Hippolytus cannot convince his father of his innocence , and the latter impells his son , uninten- tionally , to death . Peripeteia is important because it lengthens the road from ...
Strona 41
... Creon , both very fine persons in every way with the exception of their respective flaws . In these cases , the spectator must neces- sarily empathize with both characters , not only one , since the tragic process must purify him of two ...
... Creon , both very fine persons in every way with the exception of their respective flaws . In these cases , the spectator must neces- sarily empathize with both characters , not only one , since the tragic process must purify him of two ...
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi